{"id":12092,"date":"2018-10-22T18:43:11","date_gmt":"2018-10-22T16:43:11","guid":{"rendered":"https:\/\/desert-rock.com\/dr\/chrolive\/?p=12092"},"modified":"2024-07-14T16:06:20","modified_gmt":"2024-07-14T14:06:20","slug":"elder-ancestors-sasquatch-wo-fat-18-10-2018-paris-glazart","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/elder-ancestors-sasquatch-wo-fat-18-10-2018-paris-glazart.html","title":{"rendered":"ELDER ( + Ancestors + Sasquatch + Wo Fat) \u2013 18\/10\/2018 \u2013 Paris (Glazart)"},"content":{"rendered":"
<\/p>\n
On le sait, quand les\u00a0Stoned Gatherings<\/strong>\u00a0et\u00a0Garmonbozia Inc.<\/strong>\u00a0travaillent ensemble, \u00e7a fait souvent des Chocapics. Et comme s\u2019ils avaient encore des choses \u00e0 prouver, les deux collectifs parisiens ont\u00a0ramen\u00e9\u00a0jeudi dernier ni plus ni moins qu\u2019Elder, Wo Fat, Sasquatch et Ancestors, pour notre plus grand plaisir. Une soir\u00e9e au Glazart 100\u00a0% Am\u00e9ricaine qui, pour paraphraser l\u2019orga, fut forte en riffs et riche en cosmicit\u00e9.<\/p>\nAncestors<\/figcaption><\/figure>\n
Les habitu\u00e9s le savent, au Glazart il s\u2019agit de faire preuve de ponctualit\u00e9. \u00c0 peine le gong des 19\u00a0h retentit que le Progressif m\u00eal\u00e9 d\u2019Heavy space rock aux accents doom d\u2019Ancestors<\/strong>\u00a0se met en branle. Bien que beaucoup tr\u00e9pignent encore d\u2019impatience bloqu\u00e9s dans les transports ou au boulot, nombreux sont d\u00e9j\u00e0 l\u00e0 pour accueillir le quatuor made in Los Angeles. Leur style hybride tant\u00f4t d\u2019une m\u00e9lancolie pesante, tant\u00f4t d\u2019une lourdeur cosmique se d\u00e9ploie en douceur et vient peu \u00e0 peu rassembler les fid\u00e8les au-devant de la sc\u00e8ne. Sans trop comprendre pourquoi, on se retrouve envo\u00fbt\u00e9 par ce mur de son, par ce chant a\u00e9rien, c\u00e9leste, qui survole des riffs puissants frappant comme les vagues d\u2019une mer tumultueuse. \u00c9ventuellement cette tension finit par exploser \u00e0 mesure que les titres s\u2019encha\u00eenent et que l\u2019on abandonne l\u2019influence Pink Floydienne du dernier album au profil de celle plus Earthlessienne des premiers. Le chant passe de clair \u00e0 satur\u00e9, la batterie s\u2019emporte et les invocateurs sinistres r\u00e9ussissent \u00e0 agiter les nuques, mettant finalement l\u2019audience dans les dispositions requises \u00e0 la suite des hostilit\u00e9s.<\/p>\nSasquatch<\/figcaption><\/figure>\n
Une suite qui se fait un peu attendre. S\u2019ils montent sur sc\u00e8ne \u00e0 l\u2019heure et avec leur naturel d\u00e9contract\u00e9 habituel, les gaillards de\u00a0Sasquatch<\/strong>\u00a0souffrent de quelques probl\u00e8mes techniques. Un soucis\u00a0de micro du c\u00f4t\u00e9 de Keith qui vaudra \u00e0 ses deux copains de balancer quelques vannes en attendant la fin de ces interminables balances. Difficile de ne pas rigoler avec eux. Puis, une lamp\u00e9e de jack plus tard, ils allument la sc\u00e8ne avec \u00ab\u00a0More Than You\u2019ll Ever be\u00a0\u00bb. Premier constat, le chant manque de volume. Et en plus, il semblerait qu\u2019aux premiers rangs nous souffrions de la mal\u00e9diction du Glazart pour les voix\u00a0; avec des speakers positionn\u00e9s juste derri\u00e8re les deux colonnes jouxtant la sc\u00e8ne. \u00c0 l\u2019arriv\u00e9e de \u00ab\u00a0The Message\u00a0\u00bb, je d\u00e9cide de reculer pour appr\u00e9cier davantage les lyrics. Et tandis que situ\u00e9 pile dans le c\u0153ur du cyclone je devrais me faire balloter comme un bateau de noix dans la temp\u00eate, je remarque qu\u2019aucun pogo ne se d\u00e9clenche. Le stoner rock pourtant d\u00e9vastateur des Am\u00e9ricains ne met pas le feu aux poudres. L\u2019humeur mi-figue mi-raisin de Keith semble se communiquer \u00e0 l\u2019audience qui se contente de hocher la t\u00eate, et ce jusqu\u2019\u00e0 l\u2019ultime titre pourtant con\u00e7u pour pulv\u00e9riser les fosses\u00a0: \u00ab\u00a0Chemical lady \u00bb.<\/p>\nWo Fat<\/figcaption><\/figure>\n
Toutefois, cette frilosit\u00e9 se soustrait tr\u00e8s vite \u00e0 une tout autre atmosph\u00e8re lors du passage des Texans de\u00a0Wo Fat<\/strong>. Devant une salle pleine \u00e0 craquer, le trio balance un set monstrueux\u00a0; du solide travail de patrons. Les riffs fuzz\u00e9s \u00e0 souhait, crasseux, viennent se poser sur la rythmique tant\u00f4t fr\u00e9n\u00e9tique, tant\u00f4t diablement percutante, de Michael Walter. L\u00e0-dessus, le chant rauque de Kent invite \u00e0 d\u00e9cha\u00eener les passions, poussant les plus t\u00e9m\u00e9raires \u00e0 enfin se sauter dessus. Les passages de psych\u00e9d\u00e9lismes plus tendres qui viennent quelque peu apaiser l\u2019ambiance n\u2019existent que pour mieux agiter les nuques en vue d\u2019\u00eatre par\u00e9 pour la prochaine explosion. Explosion souvent accompagn\u00e9e d\u2019un vilain solo. \u00ab The Conjuring \u00bb, \u00ab The Black Code \u00bb, \u00e0 chaque nouveau morceau c\u2019est dix degr\u00e9s suppl\u00e9mentaires pour la fosse du Glazart. Les deux comparses Keith Gibbs et Craig Riggs de Sasquatch s\u2019invitent m\u00eame sur sc\u00e8ne, bi\u00e8re \u00e0 la main, afin de donner eux aussi de leur voix.<\/p>\nWo Fat + Sasquatch<\/figcaption><\/figure>\n
\u00c0\u00a0la fin de ce set remarquablement ex\u00e9cut\u00e9, les premiers rangs sont liquides et sentent la bi\u00e8re. Pourtant, personne n\u2019est assez fou pour oser s\u2019en plaindre.<\/p>\nElder<\/figcaption><\/figure>\n
Le temps d\u2019une \u00e9ni\u00e8me roteuse histoire de r\u00e9hydrater la machine, et on file se replacer au c\u0153ur de la forge. Pour ce dernier concert, le fer s\u2019appr\u00eate \u00e0 \u00eatre battu par\u00a0Elder<\/strong>, ce groupe originaire de Boston que tout le monde attend (si on doit en juger par la proportion de fid\u00e8les pr\u00eats \u00e0 s\u2019agiter quinze minutes avant le lancement du premier riff). Sans surprise, la prestation met sur le cul. D\u00e9j\u00e0 par la beaut\u00e9 des compositions admirablement bien retranscrite en live\u00a0; ensuite par toute la technicit\u00e9 d\u00e9ploy\u00e9e par chacun des membres. Et si Nick Disalvo, chanteur, guitariste et majoritairement auteur et compositeur du bousin reste planqu\u00e9 derri\u00e8re son p\u00e9dalier, ses claviers, son micro et son orgue \u00e0 pied, c\u2019est le bassiste Jack Donovan qui assure le r\u00f4le de frontman. \u00c0 grand renfort de sourire, il lie ses trois comp\u00e8res entre eux, mais aussi avec le public. Et pas uniquement sur le plan visuel. Comprendre que la basse rev\u00eat le r\u00f4le d\u2019instrument le plus important d\u2019un groupe s\u2019av\u00e8re ici facile \u00e0 admettre. C\u00f4t\u00e9 fosse, c\u2019est la liesse. Lorsque tout le monde finit de hurler les lyrics de \u00ab Sanctuary \u00bb, chacun se jette dans le chaos global lors du d\u00e9marrage de \u00ab Compendium \u00bb. Ce chef d\u2019\u0153uvre met litt\u00e9ralement la pagaille. La prestation passe presque trop vite. \u00c0 peine six titres et il faut d\u00e9j\u00e0 qu\u00e9mander (pas beaucoup non plus) le rappel. Une ultime panac\u00e9e offerte gr\u00e2ce au titre \u00ab The Falling Veil \u00bb tronqu\u00e9e de sa douce et onirique introduction pour n\u2019en conserver que la substance active. Puis le rideau tombe. D\u00e9j\u00e0.<\/p>\n
\u00c0 l\u2019heure du bilan, on se dit qu\u2019une douche ne sera pas du luxe. En d\u00e9pit d\u2019une qualit\u00e9 de son pas extraordinaire, le Glazart conserve sa place sur le podium des places fortes pour h\u00e9berger le stoner dans la capitale. Une soir\u00e9e \u00e0 guichet ferm\u00e9e qui, bien qu\u2019habit\u00e9e de plusieurs styles, et ayant connu une ascension graduelle vers les hauteurs, a su rassembler les \u00e2mes sous une seule et m\u00eame banni\u00e8re. Celle du plaisir et de la gratitude.<\/p>\n
On le sait, quand les\u00a0Stoned Gatherings\u00a0et\u00a0Garmonbozia Inc.\u00a0travaillent ensemble, \u00e7a fait souvent des Chocapics. Et comme s\u2019ils avaient encore des choses \u00e0 prouver, les deux collectifs parisiens ont\u00a0ramen\u00e9\u00a0jeudi dernier ni plus ni moins qu\u2019Elder, Wo Fat, Sasquatch et Ancestors, pour notre plus grand plaisir. Une soir\u00e9e au Glazart 100\u00a0% Am\u00e9ricaine qui, pour paraphraser l\u2019orga, fut forte […]<\/p>\n","protected":false},"author":9,"featured_media":12098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[628,608],"tags":[684,179,217,221,392,436,477,587],"class_list":["post-12092","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-628","category-live","tag-ancestors","tag-elder","tag-garmonbozia","tag-glazart","tag-paris","tag-sasquatch","tag-stoned-gatherings","tag-wo-fat"],"yoast_head":"\n
ELDER ( + Ancestors + Sasquatch + Wo Fat) \u2013 18\/10\/2018 \u2013 Paris (Glazart) - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/elder-ancestors-sasquatch-wo-fat-18-10-2018-paris-glazart.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ELDER ( + Ancestors + Sasquatch + Wo Fat) \u2013 18\/10\/2018 \u2013 Paris (Glazart) - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"On le sait, quand les\u00a0Stoned Gatherings\u00a0et\u00a0Garmonbozia Inc.\u00a0travaillent ensemble, \u00e7a fait souvent des Chocapics. 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