{"id":14995,"date":"2020-08-31T12:48:53","date_gmt":"2020-08-31T10:48:53","guid":{"rendered":"https:\/\/desert-rock.com\/dr\/chrolive\/?p=14995"},"modified":"2024-07-14T16:50:39","modified_gmt":"2024-07-14T14:50:39","slug":"down-quarter-century-throwdown-29-08-2020-livestream-from-new-orleans","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/down-quarter-century-throwdown-29-08-2020-livestream-from-new-orleans.html","title":{"rendered":"DOWN – Quarter Century Throwdown – 29\/08\/2020 [Livestream from New Orleans]"},"content":{"rendered":"

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Il y a 25 ans, Down d\u00e9barquait sur la sc\u00e8ne musicale et sortait son premier album, toujours r\u00e9f\u00e9rentiel aujourd’hui, NOLA<\/em>. Un super-groupe compl\u00e8tement initi\u00e9 par Phil Anselmo, premi\u00e8re illustration significative de la gloutonnerie musicale du frontman de Pantera (pour rappel, Pantera \u00e0 l’\u00e9poque \u00e9tait au sommet de sa carri\u00e8re). Anselmo y rassemble quelques potes dont il pr\u00e9sume que leur amour partag\u00e9 pour Trouble et Saint Vitus, m\u00eal\u00e9 \u00e0 leur background musical et un fort enracinement louisianais, rendront ce projet sp\u00e9cial. Et il le fut, amenant le sludge \u00e0 un niveau de reconnaissance que l’on conna\u00eet aujourd’hui, et tirant dans son aspiration bon nombre de formations louisianaises qui n’auraient sans \u00e7a probablement jamais rencontr\u00e9 le succ\u00e8s.<\/p>\n

Il apparaissait donc logique, en 2020, de f\u00eater comme il se doit les 25 ans de ce premier disque. Down avait donc pr\u00e9vu d’arpenter le vieux continent (et d’autres), pour c\u00e9l\u00e9brer cet anniversaire en interpr\u00e9tant l’int\u00e9gralit\u00e9 de l’album sur diverses sc\u00e8nes et festival (rappelez-vous, on devait les retrouver \u00e0 l’affiche du Hellfest en juin). Et pour l’occasion, c’est le line-up originel qui a \u00e9t\u00e9 mobilis\u00e9, alors que ces derni\u00e8res ann\u00e9es ont vu la formation live du groupe fluctuer, du fait notamment des engagements respectifs des musiciens avec leurs autres groupes. Petit \u00e9cart de principe, c’est le bassiste actuel du groupe, le nonchalant mais solide Pat Bruders, qui tient l’instrument \u00e0 la place du pourtant esp\u00e9r\u00e9 Todd Strange.<\/p>\n

La d\u00e9marche \u00e9tait s\u00e9duisante et on s’en pourl\u00e9chait les babines \u00e0 l’avance… mais le COVID-19 est pass\u00e9 par l\u00e0, tuant cette initiative dans l\u2019\u0153uf. Symboliquement, ne rien faire en 2020 semblait inenvisageable, et c’est en version \u00ab\u00a0d\u00e9mat\u00e9rialis\u00e9e\u00a0\u00bb que la solution sera trouv\u00e9e. Le groupe reprend donc son cycle de r\u00e9p\u00e9titions, met en place les conditions de \u00ab\u00a0streaming\u00a0\u00bb optimales, et donne rendez-vous aux fans le 29 ao\u00fbt, \u00e0 minuit pour les fran\u00e7ais, en \u00e9change d’une petite contribution de moins de 8 eur (dont 10% sont revers\u00e9s \u00e0 un fond de soutien \u00e0 la nation unie Houna, une tribu indienne ancestrale implant\u00e9e dans pr\u00e8s de la Nouvelle Orl\u00e9ans).<\/p>\n

Il est aussi st\u00e9rile que vain de parlementer sur l’int\u00e9r\u00eat d’un concert derri\u00e8re un \u00e9cran plut\u00f4t que devant une sc\u00e8ne. Le fait est que le second choix est impossible, et qu’on oublie un peu vite qu’on a tous pass\u00e9 des heures carr\u00e9es derri\u00e8res nos \u00e9crans de PC, DVD ou m\u00eame cassettes VHS pour les plus anciens, \u00e0 regarder des concerts ! C’est donc une forme un peu hybride qui nous est propos\u00e9e ici, et au diable les plus b\u00e9gueules et autres pisse-froid – on ne crachera pas dans la soupe.<\/p>\n

A l’heure dite, c’est finalement une succession de reportages courts, interviews et petits sketches qui nous accueille et non pas le concert, qui commencera trois quarts d’heure plus tard. Enfin, donc la sc\u00e8ne appara\u00eet sur l’\u00e9cran, sombre mais vaste, avec deux grands \u00e9crans lat\u00e9raux (largement sous-exploit\u00e9s durant le set), baign\u00e9e par un light show pro (aux tons tr\u00e8s jaunes \/ rouge). Les musiciens sont tous l\u00e0, men\u00e9s par un Phil Anselmo bien cramp\u00e9 en front de sc\u00e8ne, bien au milieu, sur son pied de micro.<\/p>\n

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\u00c7a d\u00e9marre de mani\u00e8re assez d\u00e9cousue sur la mont\u00e9e en r\u00e9gime de \u00ab\u00a0Eyes of the South\u00a0\u00bb, autour de quelques impros de Keenan, et tr\u00e8s vite les plan\u00e8tes s’alignent pour une intro massue et rassurante. Assez rapidement, la mise en son efficace nous rassure, on va pouvoir monter le volume des haut parleurs… Les speechs d’Anselmo entre les morceaux sont trop bas, mais on n’est pas l\u00e0 pour \u00e7a, donc pas tr\u00e8s grave. Les musiciens sont en forme et efficaces, \u00e7a joue bien et fort. Les gars sont aussi concentr\u00e9s sur leur prestation que contents d’\u00eatre ensemble, c’est \u00e9vident.<\/p>\n

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Et l’interpr\u00e9tation en b\u00e9n\u00e9ficie largement, avec des titres qui, m\u00eame s’ils gardent leur forme initiale, font l’objet de quelques adaptations ma\u00eetris\u00e9es. On l\u00e8vera les sourcils d’\u00e9tonnement \u00e0 l’\u00e9coute de quelques harmonies guitare un peu dissonantes entre Keenan et Windstein, mais au final, l’ensemble est tr\u00e8s solide et tient furieusement la route. M\u00eame Anselmo, dont le niveau de forme ces derni\u00e8res ann\u00e9es n’a pas toujours \u00e9t\u00e9 un long fleuve tranquille, s’av\u00e8re appliqu\u00e9 et plut\u00f4t en voix – en tout cas rarement pris en d\u00e9faut.<\/p>\n

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Les morceaux de l’album sont interpr\u00e9t\u00e9s dans le d\u00e9sordre, et le groupe inclut m\u00eame trois titres du second album, pour enrichir un peu le set (dont \u00ab\u00a0Lysergik Funeral Procession\u00a0\u00bb, interrompu sur son intro, mais relanc\u00e9 par Anselmo comme si de rien n’\u00e9tait). A noter que le groupe jouera aussi le tr\u00e8s planant \u00ab\u00a0Jail\u00a0\u00bb, en mode assis au calme… Un morceau enregistr\u00e9 s\u00e9par\u00e9ment, avant le concert, dont la transition fut un peu d\u00e9grad\u00e9e par un probl\u00e8me technique. Cette parenth\u00e8se leur permettra de se ragaillardir et de revenir pour un final au taquet. A son habitude, Down termine sur \u00ab\u00a0Bury Me in Smoke\u00a0\u00bb, o\u00f9 \u00e0 la fin les guitares sont pass\u00e9es \u00e0 quelques potes (dont Katie la femme d’Anselmo) pour finir de labourer le dernier riff ad lib dans le bordel le plus absolu.<\/p>\n

\"\"<\/a><\/p>\n

Bref, on aura pass\u00e9 un tr\u00e8s bon moment devant ce set, qui nous aura propos\u00e9 une petite bouff\u00e9e d’air frais dans un milieu musical pour le moins scl\u00e9ros\u00e9. Il y avait des pains, des clins d\u2019\u0153il, des private jokes entre musiciens… Comme sur sc\u00e8ne ! Exactement ce dont on avait besoin.<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Il y a 25 ans, Down d\u00e9barquait sur la sc\u00e8ne musicale et sortait son premier album, toujours r\u00e9f\u00e9rentiel aujourd’hui, NOLA. Un super-groupe compl\u00e8tement initi\u00e9 par Phil Anselmo, premi\u00e8re illustration significative de la gloutonnerie musicale du frontman de Pantera (pour rappel, Pantera \u00e0 l’\u00e9poque \u00e9tait au sommet de sa carri\u00e8re). Anselmo y rassemble quelques potes dont […]<\/p>\n","protected":false},"author":4,"featured_media":14998,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[630,608],"tags":[10,884,379],"class_list":["post-14995","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-630","category-live","tag-10","tag-down","tag-nola"],"yoast_head":"\nDOWN - Quarter Century Throwdown - 29\/08\/2020 [Livestream from New Orleans] - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/down-quarter-century-throwdown-29-08-2020-livestream-from-new-orleans.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"DOWN - Quarter Century Throwdown - 29\/08\/2020 [Livestream from New Orleans] - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Il y a 25 ans, Down d\u00e9barquait sur la sc\u00e8ne musicale et sortait son premier album, toujours r\u00e9f\u00e9rentiel aujourd’hui, NOLA. Un super-groupe compl\u00e8tement initi\u00e9 par Phil Anselmo, premi\u00e8re illustration significative de la gloutonnerie musicale du frontman de Pantera (pour rappel, Pantera \u00e0 l’\u00e9poque \u00e9tait au sommet de sa carri\u00e8re). 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