{"id":16707,"date":"2012-01-01T15:29:31","date_gmt":"2012-01-01T15:29:31","guid":{"rendered":"http:\/\/www.desert-rock.com\/dr\/chrocd\/porn-men-of-experiments-in-feedback.html"},"modified":"2012-01-01T15:29:31","modified_gmt":"2012-01-01T15:29:31","slug":"porn-men-of-experiments-in-feedback","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/porn-men-of-experiments-in-feedback.html","title":{"rendered":"Porn (Men Of) – Experiments In Feedback"},"content":{"rendered":"
\"Porn<\/div>\n

Non, vous ne r\u00eavez pas, sont bien cr\u00e9dit\u00e9s pour ce premier titre les musiciens de Pink Floyd et non le g\u00e9ant Moss. Normal pour un exp\u00e9rimentateur comme lui de reprendre un groupe qui fut lui aussi \u00e0 la pointe de l’innovation. En fait, Moss annonce la couleur en gros sur la pochette parodiant celles des sorties classiques ou jazz, cet album qui n’en est pas un (catalogu\u00e9 ep ou lp, cela d\u00e9pend selon les sources), sera la synth\u00e8se de mois d’exp\u00e9rimentations sonores centr\u00e9es sur un effet propre \u00e0 l’amplification \u00e9lectrique, le feedback ou boucle sonore expansive.
\nCe premier titre, donc, vous cueille d’embl\u00e9e par ses 12 minutes et illustre parfaitement ce terme de synth\u00e8se, puisqu’il est en fait compos\u00e9 de 4 r\u00e9-interpr\u00e9tations du titre de la bande de Waters. Ce ne sera pas le seul morceau maltrait\u00e9, puisque Lemmy en fait aussi les frais via 3 versions de son titre ‘Sister’.<\/p>\n

Moss montre \u00e9galement qu’il n’est pas un simple musicien mais aussi un compositeur et nous ass\u00e8ne entre 3 titres, diss\u00e9min\u00e9s ici et l\u00e0, de pur feedback (totalement d\u00e9jant\u00e9s et excellents mais sans aucune asp\u00e9rit\u00e9 m\u00e9lodique \u00e0 laquelle se raccrocher, vous voil\u00e0 pr\u00e9venus), de graves morceaux plomb\u00e9s de stoner\/doom, \u00e0 la production sans doute moins puissante et massive que son successeur, mais tout aussi appr\u00e9ciables.
\nLa lecture du livret s’av\u00e8re tr\u00e8s enrichissante tant les premi\u00e8res \u00e9coutes de ce disque nous laissent perplexe devant un tel mur de saturation poisseuse ( la voix lymphatique d’ours mal l\u00e9ch\u00e9 de Moss renfor\u00e7ant ce sentiment de malaise). On y apprend que forc\u00e9 \u00e0 un mutisme total suite \u00e0 une op\u00e9ration des cordes vocales (nodule form\u00e9 suite \u00e0 des ann\u00e9es d’exc\u00e8s, si \u00e7a peut en avertir certains), Moss et son comp\u00e8re de studio Goldring durent communiquer par signes puis s’invent\u00e8rent carr\u00e9ment des dialogues soniques (comme le d\u00e9montre la conversation de guitares de ‘Feedback IV’).<\/p>\n

Cet exemple vous aura fait comprendre, j’esp\u00e8re, que ce disque est bien moins terre \u00e0 terre (ou plut\u00f4t cieux \u00e0 cieux dans ce milieu) que la plupart des productions habituelles du style. Moss explore la saturation comme d’autres la biologie mol\u00e9culaire et m\u00eame si l’on n’a pas besoin de doctorat pour l’\u00e9couter, cet album n\u00e9cessite bien plus d’attention et de concentration que la cacophonie des premiers passages sur la platine ne le laissait penser.<\/p>\n","protected":false},"excerpt":{"rendered":"

Non, vous ne r\u00eavez pas, sont bien cr\u00e9dit\u00e9s pour ce premier titre les musiciens de Pink Floyd et non le g\u00e9ant Moss. Normal pour un exp\u00e9rimentateur comme lui de reprendre un groupe qui fut lui aussi \u00e0 la pointe de l’innovation. En fait, Moss annonce la couleur en gros sur la pochette parodiant celles des […]<\/p>\n","protected":false},"author":25,"featured_media":39611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[611,1667,1661],"tags":[642,1754,454],"class_list":["post-16707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-611","category-disques","category-tom","tag-642","tag-porn-men-of","tag-small-stone-records"],"yoast_head":"\nPorn (Men Of) - Experiments In Feedback - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/porn-men-of-experiments-in-feedback.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Porn (Men Of) - Experiments In Feedback - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Non, vous ne r\u00eavez pas, sont bien cr\u00e9dit\u00e9s pour ce premier titre les musiciens de Pink Floyd et non le g\u00e9ant Moss. Normal pour un exp\u00e9rimentateur comme lui de reprendre un groupe qui fut lui aussi \u00e0 la pointe de l’innovation. En fait, Moss annonce la couleur en gros sur la pochette parodiant celles des […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/desert-rock.com\/site\/porn-men-of-experiments-in-feedback.html\" \/>\n<meta property=\"og:site_name\" content=\"Desert-rock.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/desertrockcom\" \/>\n<meta property=\"article:published_time\" content=\"2012-01-01T15:29:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/desert-rock.com\/site\/wp-content\/uploads\/2014\/04\/porn.jpg\" \/>\n<meta name=\"author\" content=\"Thomas\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Thomas\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html\"},\"author\":{\"name\":\"Thomas\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/#\\\/schema\\\/person\\\/6acd2433bb11115669248bff7cc093cd\"},\"headline\":\"Porn (Men Of) – Experiments In Feedback\",\"datePublished\":\"2012-01-01T15:29:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html\"},\"wordCount\":435,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/porn.jpg\",\"keywords\":[\"2001\",\"Porn (Men of)\",\"small stone records\"],\"articleSection\":[\"2001\",\"Disques\",\"TO)))M\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html\",\"url\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/porn-men-of-experiments-in-feedback.html\",\"name\":\"Porn (Men Of) - 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