{"id":16938,"date":"2012-01-01T15:32:46","date_gmt":"2012-01-01T15:32:46","guid":{"rendered":"http:\/\/www.desert-rock.com\/dr\/chrocd\/kyuss-and-the-circus-leaves-town-2.html"},"modified":"2012-01-01T15:32:46","modified_gmt":"2012-01-01T15:32:46","slug":"kyuss-and-the-circus-leaves-town-2","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/kyuss-and-the-circus-leaves-town-2.html","title":{"rendered":"Kyuss – …And The Circus Leaves Town"},"content":{"rendered":"
\"Kyuss<\/div>\n

Quelques mois apr\u00e8s la sortie de ce disque, on apprenait qu’il s’agissait du chant du cygne. Ce sont ces m\u00eames mois qui ont accompagn\u00e9 ma d\u00e9couverte de Kyuss, car j’ai achet\u00e9 l’album \u00e0 sa sortie, et que je faisais la connaissance du groupe par la m\u00eame occasion. Petit traumatisme que de sentir la qualit\u00e9 du groupe s’affirmer d’\u00e9coute en \u00e9coute, de constater que Kyuss \u00e9tait manifestement un groupe d’exception, pour apprendre imm\u00e9diatement ensuite qu’il se s\u00e9pare. Stupeur, d\u00e9ception… D\u00e8s lors, l’objectivit\u00e9 de ma chronique sera toute relative (c’est un euph\u00e9misme), mais existe-t-il quelqu’un sur ce site qui soit vraiment objectif concernant Kyuss ?<\/p>\n

Apr\u00e8s coup, en revanche, on comprend tout. Elektra (l’une des plus grosses majors ricaines) leur d\u00e9roule le tapis rouge suite au succ\u00e8s de \u00ab\u00a0Sky Valley\u00a0\u00bb, qui a sorti les 4 gamins californiens de l’underground. Chris Goss produit la galette dans un fauteuil en cuir, Joe Barresi est derri\u00e8re une table de mixage dernier cri aux potards dor\u00e9s, et au final, tout se beau monde se l\u00e2che sans retenue (et si l’on en cro\u00eet les rumeurs, le groupe ne tourne pas qu’au lait fraise et \u00e0 la nicotine). L\u00e0 o\u00f9 \u00ab\u00a0Sky Valley\u00a0\u00bb \u00e9tait d’une homog\u00e9n\u00e9it\u00e9 \u00ab\u00a0mastoc\u00a0\u00bb, un rouleau compresseur d’une densit\u00e9 \u00e9motionnelle for\u00e7ant l’admiration, \u00ab\u00a0…Circus…\u00a0\u00bb part dans tous les sens. Pas de censure, on enregistre tout ce qui sort des instruments du quatuor. Forc\u00e9ment, on se retrouve avec quelques br\u00fblots qui auraient pu se retrouver sur \u00ab\u00a0Sky Valley\u00a0\u00bb, on ne change pas une \u00e9quipe qui gagne (notamment le trio d’intro \u00ab\u00a0Hurricane\u00a0\u00bb, \u00ab\u00a0One Inch Man\u00a0\u00bb, et l’instru \u00ab\u00a0Thee Ol’ Boozeroony\u00a0\u00bb).<\/p>\n

Mais d\u00e8s \u00ab\u00a0Gloria Lewis\u00a0\u00bb, le ton change : le riff est si lourd qu’il est \u00e0 mi-chemin entre l’\u00e9vidence musicale et le ridiculement simpliste. John Garcia chante comme une caresse du tympan, et lorsqu’il se prend \u00e0 monter le ton, la prod a la d\u00e9cence de le coller derri\u00e8re le son de gratte (faut pas d\u00e9conner, qui c’est qui tient le morceau ?). L’instru \u00ab\u00a0Phototropic\u00a0\u00bb et \u00ab\u00a0El Rodeo\u00a0\u00bb confirment la tendance : pas une tonalit\u00e9 sp\u00e9ciale, DES tonalit\u00e9s ! Encore un instru plus tard (il semblerait que les trips hallucinog\u00e8nes de Garcia l’aient un peu mis hors jeu sur cet album…), on retombe sur une bombe Kyuss-esque de premier ordre avec \u00ab\u00a0Tangy Zizzle\u00a0\u00bb. Le riff est cinglant, le morceau est court et percutant, et Alfredo Hernandez (le rempla\u00e7ant de Brant Bjork, qui \u00e9tait plus enclin au jeu plein de \u00ab\u00a0feeling\u00a0\u00bb) d\u00e9clenche une cascade de cymbales \u00e9tourdissante pour soutenir sa frappe de mulet, r\u00e9gulier comme un m\u00e9tronome.<\/p>\n

\u00ab\u00a0Size Queen\u00a0\u00bb d\u00e9boule ensuite pour mieux d\u00e9sorienter encore l’auditeur, avec des m\u00e9lodies que l’on croiraient inspir\u00e9es d’un vieux ska-reggae mou du genou, contre-balanc\u00e9 par un refrain bien pataud… Etrange, surtout qu’il ouvre la voie au somptueux \u00ab\u00a0Catamaran\u00a0\u00bb (qu’ils ont emprunt\u00e9 \u00e0 leurs potes de Yawning Man, en y ajoutant par la m\u00eame occasion des paroles), qui lui-m\u00eame attire dans son aspiration (inspiration ?) le redoutable \u00ab\u00a0Spaceship Landing\u00a0\u00bb.<\/p>\n

Ce dernier titre, qui cl\u00f4t l’album, repr\u00e9sente probablement l’apog\u00e9e du \u00ab\u00a0style Kyuss\u00a0\u00bb, et incidemment de leur carri\u00e8re : sur 11 minutes, le groupe d\u00e9roule un simili-instrumental (le terme est bien choisi, tant les paroles presque stupides de Garcia ne sont qu’un pr\u00e9texte pour accoler les vibrations de son organe majestueux \u00e0 cette avalanche de guitares) sans temps mort, qui vous prend aux tripes sans vous l\u00e2cher. Montagnes russes \u00e9motionnelles, le morceau se fait d’abord lourd et arrassant, puis mena\u00e7ant, pour laisser une \u00e9claircie pointer le bout du nez au bout de 2 minutes. Scott Reeder porte ce morceau comme si sa vie en d\u00e9pendait, burinant ses riffs \u00e0 la basse comme on n’avait jamais entendu aucun bassiste le faire (depuis Lemmy), permettant ainsi \u00e0 Homme de l\u00e2cher des soli a\u00e9riens, avant de venir l’\u00e9pauler \u00e0 nouveau en rythmique. 4 minutes sont pass\u00e9es et d\u00e9ja le morceau est redevenu \u00ab\u00a0a\u00e9r\u00e9\u00a0\u00bb, plein d’espoir, d’ouverture vers l’inconnu. Mais d’interrogation aussi, au bout de 7 minutes : on ne sait pas \u00e0 quelle sauce l’on va \u00eatre mang\u00e9s,jusqu’\u00e0 ce rebond final, qui nous m\u00e8ne vers un torrent de guitares, un enchev\u00eatrement de riffs et de soli, dans une orgie \u00e9lectrique qui rend le morceau tout \u00e0 fait impossible \u00e0 jouer en concert : plusieurs lignes de guitares sont superpos\u00e9es, pour mieux ajouter en combats de soli enchev\u00eatr\u00e9s \u00e0 l’infini, si bien que le morceau, s’il ne d\u00e9c\u00e9dait pas par un fondu regrettable, pourrait continuer \u00e0 tourner des heures enti\u00e8res.<\/p>\n

C’est un peu la carri\u00e8re du groupe, finalement, qui est r\u00e9sum\u00e9e dans cette seule chanson : partis sur des bases underground, incertaines, Kyuss s’est affirm\u00e9, jusqu’\u00e0 atteindre un point culminant, qui les m\u00e8nera tel un Icare des temps modernes qui se rapproche trop au soleil du music business, jusqu’\u00e0 l’auto-destruction. Le titre de l’album aussi, avec le recul, \u00e9tait cyniquement limpide.<\/p>\n

J’ignore si cet album est le meilleur album de Kyuss. Objectivement, je crains que non. Objectivement, en revanche, ne pas le poss\u00e9der me semble relever de la plus crasse h\u00e9r\u00e9sie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Quelques mois apr\u00e8s la sortie de ce disque, on apprenait qu’il s’agissait du chant du cygne. Ce sont ces m\u00eames mois qui ont accompagn\u00e9 ma d\u00e9couverte de Kyuss, car j’ai achet\u00e9 l’album \u00e0 sa sortie, et que je faisais la connaissance du groupe par la m\u00eame occasion. Petit traumatisme que de sentir la qualit\u00e9 du […]<\/p>\n","protected":false},"author":4,"featured_media":39395,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[2956,1667,1670,1650],"tags":[2957,1648,1673,301],"class_list":["post-16938","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2956","category-disques","category-laurent","category-oldies","tag-2957","tag-90s","tag-elektra","tag-kyuss"],"yoast_head":"\nKyuss - ...And The Circus Leaves Town - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/kyuss-and-the-circus-leaves-town-2.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kyuss - ...And The Circus Leaves Town - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Quelques mois apr\u00e8s la sortie de ce disque, on apprenait qu’il s’agissait du chant du cygne. Ce sont ces m\u00eames mois qui ont accompagn\u00e9 ma d\u00e9couverte de Kyuss, car j’ai achet\u00e9 l’album \u00e0 sa sortie, et que je faisais la connaissance du groupe par la m\u00eame occasion. 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