{"id":22675,"date":"2015-04-12T18:24:44","date_gmt":"2015-04-12T16:24:44","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=22675"},"modified":"2015-04-12T18:24:44","modified_gmt":"2015-04-12T16:24:44","slug":"abrahma-reflections-in-the-bowels-of-a-bird","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/abrahma-reflections-in-the-bowels-of-a-bird.html","title":{"rendered":"Abrahma – Reflections In The Bowels Of A Bird"},"content":{"rendered":"

\"ABRAHMAREFLECTIONSINTHEBOWELSOFABIRD\"<\/a><\/p>\n

 <\/p>\n

Apr\u00e8s une premi\u00e8re pi\u00e8ce de choix sortie sur Small Stone, ce qui n\u2019est franchement pas la norme pour les formations hexagonales, le quatuor de Paris s\u2019en revient sur la structure \u00e9tasunienne avec le fruit de ses inspirations trouv\u00e9es dans la carcasse d\u2019un animal volant. Salu\u00e9 par la critique, le groupe de la capitale – n\u00e9 des cendres encore br\u00fblantes d\u2019Alcohsonic qui a jadis diss\u00e9min\u00e9 des pi\u00e8ce de bonne facture chroniqu\u00e9es dans ces pages – a foul\u00e9 les sc\u00e8nes des grosses sauteries stoner et pas mal roul\u00e9 sa bosse depuis la sortie de \u00ab\u00a0Through The Dusty Paths Of Our Lives\u00a0\u00bb, son pr\u00e9d\u00e9cesseur. Ceux qui avaient kiff\u00e9 des compos a\u00e9riennes comme \u00ab\u00a0Big Black Cloud\u00a0\u00bb ou \u00ab\u00a0Tears Of The Sun\u00a0\u00bb sur cette plaque peuvent se r\u00e9jouir, ils vont \u00eatre carr\u00e9ment aux anges avec \u00ab\u00a0Relections In The Bowels Of A Bird\u00a0\u00bb qui est une r\u00e9ussite du genre (voil\u00e0 c\u2019est dit\u00a0; \u00e0 partir de maintenant vous pouvez cesser de lire ma prose et aller qu\u00e9rir le pr\u00e9cieux).<\/p>\n

Malgr\u00e9 le laps de temps relativement proche entre les deux productions balanc\u00e9es par les Franciliens, il faut rapidement se rendre \u00e0 l\u2019\u00e9vidence que cette suite des tribulations des frenchies s\u2019av\u00e8re redoutablement aboutie et fort inspir\u00e9e. On d\u00e9bute l\u2019\u00e9coute, sans intro, par \u00ab\u00a0Fountains Of Vengeance\u00a0\u00bb qui prend son envol sur un gargouillis de grattes satur\u00e9es pour aller rapidement rejoindre un registre proche du Soundgarden des grandes ann\u00e9es (et ce n\u2019\u00e9tait pas hier). Soli, ralentissements et une voix impeccable de S\u00e9bastien Bismuth qui se pose un peu comme celle de Chris Cornell sur \u00ab\u00a04th Of July\u00a0\u00bb. Apr\u00e8s ce premier titre, qui se termine dans la plus pure tradition des formations instrumentales burn\u00e9es du moment, \u00ab\u00a0An Offspring To The Wolves\u00a0\u00bb prend son \u00e9lan tout en lourdeur et provoque imm\u00e9diatement des mouvements de va-et-vient au niveau de mes cervicales. C\u2019est heavy en diable, la section rythmique avec Guillaume Colin \u00e0 la basse et Benjamin \u2013 aussi – Colin derri\u00e8re les f\u00fbts envoie du gros bois et chipe gentiment la vedette \u00e0 la doublette chants et guitares, lesquelles se d\u00e9ploient en un mur sonore lancinant durant les plus de six minutes sur lesquelles s\u2019\u00e9tirent ce titre de bon gros rock bien gras qui sent de dessous les bras.<\/p>\n

On en reprend pour six minutes pour \u00ab\u00a0Omen Pt.1\u00a0\u00bb, qui, \u00e0 l\u2019image de \u00ab\u00a0Vodun\u00a0\u00bb sur le pr\u00e9c\u00e9dent opus, sera d\u00e9clin\u00e9 en trois temps. Le num\u00e9ro un de ce tierc\u00e9 \u2013 qui est aussi le plus long \u2013 s\u2019av\u00e8re tr\u00e8s catchy et il se distancie quelque peu du registre tr\u00e8s heavy des premiers titres de cette production, en empruntant des sentiers assez proches des formations sans voix de l\u2019\u00e9curie Napalm. Les grattes du chanteur et de Nicolas Heller se font a\u00e9riennes. L\u2019\u00e9norme solo de fin de titre fait un carton plein et nous ne sommes pas loin des prouesses du meneur de The Ultra Electric Mega Galactic, Ed Mundell, que nous retrouverons plus loin en personne, comme il l\u2019avait d\u00e9j\u00e0 fait sur \u00ab\u00a0Through The Dusty Paths Of Our Lives\u00a0\u00bb. Apr\u00e8s ce passage plus psych\u00e9d\u00e9lique, Abrahma revient en territoires entra\u00eenant avec \u00ab\u00a0Weary Statues\u00a0\u00bb qui est un titre \u00e9norme de rock qui tache. Je kiffe \u00e0 mort ce morceau qui tabasse mes oreilles en envoyant du gras d\u00e8s les premi\u00e8res secondes et s\u2019enlise ensuite dans des plans nettement plus apais\u00e9s, avant de me reprendre \u00e0 froid pour m\u2019ass\u00e9ner une nouvelle dose de plans bourrins\u00a0: une sacr\u00e9e r\u00e9ussite\u00a0!<\/p>\n

Changement de d\u00e9corum avec le second pr\u00e9sage qui l\u00e8ve un peu la p\u00e9dale question testost\u00e9rone\u00a0: bidouillage synth\u00e9tique type vent du d\u00e9sert (\u00e7a tombe bien on adore \u00e7a), sons empreints de slide proche de l\u2019homme-qui-baille et chants susurr\u00e9s pour un trip qui monte en puissance pour passer dans le rouge aux deux tiers, avec un apport au sax de Vincent Dupuy, pour faire l\u2019\u00e9talage des multiples talents de la formation hexagonale. Avec un titre comme \u00ab\u00a0Kapal Kriya\u00a0\u00bb, je pensais rejoindre la galaxie My Sleeping Karma et l\u2019intro du titre m\u2019a confort\u00e9 dans ma croyance. C\u2019\u00e9tait sans compter sur l\u2019esprit malin qui anime ces quatre gar\u00e7ons dans le bayou parisien\u00a0: apr\u00e8s une longue immersion sur fond de nappes synth\u00e9tiques \u2013 mix\u00e9es de mani\u00e8re \u00e0 \u00e9garer l\u2019auditeur qui v\u00e9rifiera \u00e0 coup s\u00fbr les connexions de son syst\u00e8me de sonorisation \u2013 on s\u2019envole effectivement dans l\u2019espace escompt\u00e9 pour s\u2019en distancer en empruntant au sludge quelques plans fort hargneux.<\/p>\n

Exit les bidouillages et plans \u00e9labor\u00e9s pour \u00ab\u00a0Square The Circle\u00a0\u00bb qui va droit au but. Ce titre tr\u00e9pident, proche de Dozer, est le plus concis de l\u2019album et il s\u2019inscrit dans la plus pure tradition du stoner bien pugnace donc terriblement efficace. Ce sera tout pour ce registre l\u00e0 puisque nous retrouvons ensuite la fin du triptyque qui annonce d\u00e9j\u00e0 le terme proche de cette plaque. L\u00e0 aussi les types derri\u00e8re les manettes ont jou\u00e9 avec les boutons quelques fois alors que le titre – presque instrumental dans son int\u00e9gralit\u00e9 – prenait son envol. Je dois conc\u00e9der ici que les arrangements du d\u00e9but, les nappes synth\u00e9tiques redondantes et la retenue jusqu\u2019\u00e0 mi morceau m\u2019ont laiss\u00e9 assez froid et c\u2019est sans regret qu\u2019apr\u00e8s plusieurs \u00e9coutes je skippe fr\u00e9quemment sur \u00ab\u00a0A Shepherd’s Grief\u00a0\u00bb qui renoue avec le g\u00e9nie de cette formation. L\u2019avant-derni\u00e8re plage de \u00ab\u00a0Reflections In The Bowels Of A Bird\u00a0\u00bb – sur laquelle Ed Mundell est venu poser une envol\u00e9e soliste \u2013 renoue avec le g\u00e9nie qui anime Abrahma\u00a0: d\u00e9but tout en douceur admirablement mis en forme, refrain puissant sans \u00eatre dans le registre plantigrade, guitares ac\u00e9r\u00e9es et rythmiques martiales. Apr\u00e8s ce morceau de toute beaut\u00e9, l\u2019heure est venue de passer \u00e0 la derni\u00e8re plage : \u00ab\u00a0Conium\u00a0\u00bb. Ce titre – mix\u00e9 par le batteur – se d\u00e9ploie crescendo en incorporant pas \u00e0 pas les divers protagonistes de cette belle aventure\u00a0: un r\u00e9sum\u00e9 brillant d\u2019un disque qui l\u2019est.<\/p>\n

Avec \u00ab\u00a0Reflections In The Bowels Of A Bird\u00a0\u00bb, Abrahma marque \u00e0 nouveau un maximum de points et prouve que sa pr\u00e9sence sur une structure internationale n\u2019est en rien le fruit du hasard, mais le r\u00e9sultat d\u2019un investissement cons\u00e9quent dans cet art qu\u2019est le stoner conjugu\u00e9 \u00e0 une bonne grosse dose de talent. Bougez vos culs pour notre sc\u00e8ne et cessez de tourner vos yeux vers l\u2019Am\u00e9rique\u00a0: ces r\u00e9gionaux n\u2019ont absolument rien \u00e0 leur envier\u00a0!<\/p>\n","protected":false},"excerpt":{"rendered":"

  Apr\u00e8s une premi\u00e8re pi\u00e8ce de choix sortie sur Small Stone, ce qui n\u2019est franchement pas la norme pour les formations hexagonales, le quatuor de Paris s\u2019en revient sur la structure \u00e9tasunienne avec le fruit de ses inspirations trouv\u00e9es dans la carcasse d\u2019un animal volant. Salu\u00e9 par la critique, le groupe de la capitale – […]<\/p>\n","protected":false},"author":5,"featured_media":22676,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[625,1682,1667],"tags":[5,15,671,900,454],"class_list":["post-22675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-625","category-chris","category-disques","tag-5","tag-abrahma","tag-alcohsonic","tag-ed-mundell","tag-small-stone-records"],"yoast_head":"\nAbrahma - Reflections In The Bowels Of A Bird - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/abrahma-reflections-in-the-bowels-of-a-bird.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Abrahma - Reflections In The Bowels Of A Bird - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"  Apr\u00e8s une premi\u00e8re pi\u00e8ce de choix sortie sur Small Stone, ce qui n\u2019est franchement pas la norme pour les formations hexagonales, le quatuor de Paris s\u2019en revient sur la structure \u00e9tasunienne avec le fruit de ses inspirations trouv\u00e9es dans la carcasse d\u2019un animal volant. 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