{"id":22853,"date":"2015-08-18T18:32:39","date_gmt":"2015-08-18T16:32:39","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=22853"},"modified":"2015-08-18T18:32:39","modified_gmt":"2015-08-18T16:32:39","slug":"kadavar-berlin","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/kadavar-berlin.html","title":{"rendered":"Kadavar – Berlin"},"content":{"rendered":"

\"kadavar\"<\/a><\/p>\n

2 avis sur cet album :<\/strong><\/em><\/p>\n

L\u2019histoire de Kadavar est celle d\u2019une success story. Une fable comme la musique n\u2019en donne plus depuis des lustres. Trois Allemands, l\u2019un de l\u2019Est, l\u2019un de l\u2019Ouest et un Autrichien (ne chipotons pas, parlez-en \u00e0 Guy Roux) se retrouvent \u00e0 Berlin, sans le sous. Ils s\u2019habillent dans les friperies ce qui, conjugu\u00e9 \u00e0 leurs cheveux longs et leur aspect \u00e9lanc\u00e9, leur donne un cot\u00e9 eff\u00e9min\u00e9. Seules leurs immenses barbes emp\u00eachent le doute d\u2019\u00eatre permis. Puisqu\u2019ils se sont rencontr\u00e9s dans un bar, c\u2019est \u00e9galement dans ce genre d\u2019endroits que le trio se r\u00f4de et obtient un ph\u00e9nom\u00e9nal following en 2012, alors qu\u2019est \u00e0 peine publi\u00e9 leur premier et \u00e9ponyme album. Leur set en cl\u00f4ture du Desertfest de Berlin la m\u00eame ann\u00e9e, avec Toner Low et Abrahma,\u00a0 leur donne leur premier rayonnement international.\u00a0 Leur musique se place dans la continuit\u00e9 de ce que Witchcraft ou Graveyard avaient accompli, ressuscitant l\u2019esprit 70\u2019s, cru et sauvage. Usine \u00e0 riffs et \u00e0 refrains ent\u00eatants, les multiples labels et pressages ayant vu passer les droits du disque ne se plaignent pas des retomb\u00e9es commerciales. Il n\u2019en faudra pas plus \u00e0 Nuclear Blast pour r\u00e9cup\u00e9rer la b\u00eate \u00e0 trois t\u00eates et publier Abra Kadavar au plus vite. Les tourn\u00e9es s\u2019enchainent et le bassiste, Phillip Lippitz, dit Mammut jette l\u2019\u00e9ponge pour des raisons familiales et professionnelles. Il a tout simplement un\u2026 bar \u00e0 g\u00e9rer. Il est alors remplac\u00e9 par un fran\u00e7ais, Simon Bouteloup, vu du cot\u00e9 d\u2019Aqua Nebula Oscillator, groupe que Kadavar a c\u00f4toy\u00e9 le temps d\u2019un split. Le trio visite toutes les salles et festivals possibles et retourne en studio dans la foul\u00e9e pour n\u2019en ressortir qu\u2019avec leur troisi\u00e8me album sous le bras.<\/p>\n

Ce dernier se nomme donc Berlin. S\u2019il est l\u00e9gitime de penser \u00e0 cet instant \u00e0 Lou Reed ou David Bowie, ayant eux aussi vu en la capitale Allemande et sa libert\u00e9 (\u00e0 l\u2019Ouest) apr\u00e8s guerre, l\u2019endroit idoine pour laisser libre court \u00e0 leur cr\u00e9ativit\u00e9, c\u2019est plut\u00f4t un hommage appuy\u00e9 \u00e0 la ville qui les a soud\u00e9s et propuls\u00e9s sur le devant de la sc\u00e8ne que le trio semble vouloir faire r\u00e9f\u00e9rence. Cot\u00e9 son, les teutons poursuivent leur qu\u00eate du rock pass\u00e9iste revenu dans l\u2019air du temps. Leur premier album, port\u00e9 par l\u2019imparable \u00ab\u00a0Black Sun\u00a0\u00bb restera comme l\u2019un des grands moments de ce revival dont l\u2019exploitation forcen\u00e9e, surtout par certains labels ayant fait des choix de productions lisses, aura vite tendance \u00e0 lasser. La suite discographique de Kadavar souffre \u00e0 mon sens de ce probl\u00e8me\u00a0: ce genre de rock r\u00e9tro ne souffre d\u2019aucune faiblesse possible. Si les riffs ne sont pas inspir\u00e9s, le disque est mauvais. Si les sonorit\u00e9s sont trop aventureuses, l\u2019essence du genre est bafou\u00e9e. Le droit \u00e0 l\u2019erreur n\u2019existe pas et rares sont les combos ayant \u00e9vit\u00e9 les \u00e9cueils combin\u00e9 de la redire ET de la \u00ab\u00a0trahison\u00a0\u00bb au cours de leur carri\u00e8re. Berlin prend le parti de rejouer la carte du vieux rock efficace en apparence et en cela propose quelques belles r\u00e9ussites (\u00ab\u00a0Last Living Dinosaur\u00a0\u00bb, \u00ab\u00a0Into The Night\u00a0\u00bb entre autres) mais se vautre lorsqu\u2019il prend le parti de la surproduction (l\u2019insupportable single \u00ab\u00a0The Old Man\u00a0\u00bb) ou p\u00eache par un riff ou un refrain moins percutant (\u00ab\u00a0Thousand Miles Away\u00a0\u00bb, \u00ab\u00a0Lord Of The Sky\u00a0\u00bb, \u00ab\u00a0Pale Blue Sky\u00a0\u00bb\u2026).\u00a0 Pire, la relative longueur du disque en devient son v\u00e9ritable d\u00e9faut. Berlin aurait franchement gagn\u00e9 \u00e0 \u00eatre pr\u00e9sent\u00e9 plus ramass\u00e9, sur 6 titres, comme l\u2019\u00e9tait le premier disque du combo. Ce d\u00e9faut, \u00e0 mon sens, \u00e9tait \u00e9galement celui d\u2019Abra Kadavar.<\/p>\n

Difficile donc de parler de bon album lorsque ce dernier est port\u00e9 par un single plus que d\u00e9cevant et laisse apr\u00e8s \u00e9coute une impression de remplissage. Pour les quelques bons moments \u00e0 sauver, que de pistes \u00e9cul\u00e9es\u00a0!<\/p>\n

Pour finir Kadavar propose en bonus track une reprise d\u2019un obscur morceau de l\u2019artiste Nico, connue outre Rhin pour ses accointances avec le Velvet Underground. C\u2019est \u00e0 mon sens ce qui m\u2019a \u00e9loign\u00e9 du trio depuis le premier album\u00a0: cette sensation de recherche de la sophistication au d\u00e9triment de l\u2019instinctif, concept louable auquel je ne suis absolument pas sensible.<\/p>\n

Iro22<\/strong><\/em><\/p>\n

—————————<\/strong><\/p>\n

Je partage avec mon bien-aim\u00e9 et respect\u00e9 coll\u00e8gue ce constat d’un album h\u00e9t\u00e9rog\u00e8ne, qui a en outre mal \u00e9t\u00e9 introduit par l’interm\u00e9diaire d’un single insipide (\u00ab\u00a0The Old Man\u00a0\u00bb). En revanche, la production de l’album, basique, brute, me para\u00eet parfaitement adapt\u00e9e, voire m\u00eame relevant d’une prise de risque plaisante pour un groupe de cette envergure : le trio est enregistr\u00e9 \u00ab\u00a0comme en live\u00a0\u00bb, avec quasiment toujours le m\u00eame son de guitare, quelques effets sur la voix \u00e0 peine et… trois instruments seulement ! Or combien de trio auraient, port\u00e9s par les meilleures intentions, ajout\u00e9 une piste de guitare rythmique pour accompagner les incartades solo de leur guitariste lead et remplir le spectre sonore ? Rien de tel ici o\u00f9 les envol\u00e9es guitaristiques de Lupus Lindemann (toujours aussi bien senties, pr\u00e9cisons-le par la m\u00eame occasion) trouvent une large bande passante dans le mix de l’album. De fait, l’\u00e9nergie live du combo se retrouve ici une nouvelle fois retranscrite au mieux possible gr\u00e2ce \u00e0 ce travail de prod.<\/p>\n

Mais l\u00e0 o\u00f9 le groupe se d\u00e9marque de la masse de groupes de la m\u00eame tendance \u00ab\u00a0vintage\u00a0\u00bb, c’est par son talent de composition. C’est vrai, il y a des titres de remplissage, assez m\u00e9diocres, inutiles ; on le regrettera. Mais \u00e0 c\u00f4t\u00e9 de \u00e7a, quels groupes sont aujourd’hui en mesure d’\u00e9crire des titres aussi efficaces que \u00ab\u00a0Last Living Dinosaur\u00a0\u00bb ou \u00ab\u00a0Thousand Miles Away From Home\u00a0\u00bb, des mid-tempo qui ne sont pas dans mes titres favoris, mais dont on est oblig\u00e9 de louer l’\u00e9vidente qualit\u00e9, et les subtiles touches de talent pur que l’on y trouve ici ou l\u00e0 au d\u00e9tour d’une ligne vocale, d’un break venu de nulle part ou d’une rythmique atypique (voir par exemple la ligne de basse compl\u00e8tement d\u00e9cal\u00e9e qui introduit \u00ab\u00a0Filthy Illusion\u00a0\u00bb). Et que dire de \u00ab\u00a0Stolen Dreams\u00a0\u00bb, une perle de groove \u00e9nergique qui pourrait presque \u00e0 elle seule justifier l’achat de cette galette… Enfin, Kadavar conforte sa fanbase avec son lot de p\u00e9pites directement enracin\u00e9es dans la fin des 60’s : \u00ab\u00a0Lord Of The Sky\u00a0\u00bb, \u00ab\u00a0Pale Blue Eyes\u00a0\u00bb ou \u00ab\u00a0See The World With Your Own Eyes\u00a0\u00bb remplissent le cahier des charges avec brio.<\/p>\n

Bref, on attendait un album \u00e9norme de Kadavar, qui est ces derni\u00e8res ann\u00e9es remont\u00e9 tr\u00e8s haut sur le podium des groupes live les plus int\u00e9ressants dans ce genre musical. Berlin n’est pas le colosse attendu, malheureusement, mais c’est un tr\u00e8s bon album, qui rassure sans \u00eatre non plus exempt de (relatives) prises de risques. Le disque a par ailleurs le m\u00e9rite de montrer que le trio berlinois n’est pas pr\u00eat de laisser sa place aux jeunes loups aux dents longues qui le regardent d’en bas.<\/p>\n

Laurent<\/strong><\/em><\/p>\n

—————————<\/strong><\/p>\n

\u00a0Point Vinyle\u00a0:<\/strong><\/em><\/p>\n

C\u2019est qu\u2019il va \u00eatre press\u00e9 celui\u00a0l\u00e0\u00a0!<\/p>\n

Il s\u2019agit d\u2019un double LP gatefold et Nuclear Blast en pr\u00e9voit\u00a0:<\/p>\n

\n
    \n
  • 300 en blanc exclusivement disponibles sur leur mailorder.<\/li>\n
  • 300 en violet exclusivement disponibles sur leur mailorder.<\/li>\n
  • 300 transparents pour les US.<\/li>\n
  • 500 en bicolore rouge et blanc.<\/li>\n
  • 200 en vert.<\/li>\n
  • 300 en rouge.<\/li>\n
  • 300 en bleu pour les US.<\/li>\n
  • Une \u00e9dition standard noire.<\/li>\n<\/ul>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"

    2 avis sur cet album : L\u2019histoire de Kadavar est celle d\u2019une success story. Une fable comme la musique n\u2019en donne plus depuis des lustres. Trois Allemands, l\u2019un de l\u2019Est, l\u2019un de l\u2019Ouest et un Autrichien (ne chipotons pas, parlez-en \u00e0 Guy Roux) se retrouvent \u00e0 Berlin, sans le sous. Ils s\u2019habillent dans les friperies […]<\/p>\n","protected":false},"author":8,"featured_media":22855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[625,1667,2114,1670],"tags":[5,289,1618],"class_list":["post-22853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-625","category-disques","category-iro22","category-laurent","tag-5","tag-kadavar","tag-nuclear-blast"],"yoast_head":"\nKadavar - Berlin - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/kadavar-berlin.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kadavar - Berlin - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"2 avis sur cet album : L\u2019histoire de Kadavar est celle d\u2019une success story. 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Une fable comme la musique n\u2019en donne plus depuis des lustres. Trois Allemands, l\u2019un de l\u2019Est, l\u2019un de l\u2019Ouest et un Autrichien (ne chipotons pas, parlez-en \u00e0 Guy Roux) se retrouvent \u00e0 Berlin, sans le sous. 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