{"id":22860,"date":"2015-08-22T10:54:54","date_gmt":"2015-08-22T08:54:54","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=22860"},"modified":"2015-08-22T10:54:54","modified_gmt":"2015-08-22T08:54:54","slug":"ahab-the-boats-of-the-glen-carrig","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/ahab-the-boats-of-the-glen-carrig.html","title":{"rendered":"Ahab – The Boats of The Glen Carrig"},"content":{"rendered":"

\"598_Ahab_RGB-170\"<\/a><\/p>\n

Avec un genre aussi codifi\u00e9 que celui du funeral doom, il n’est pas chose ais\u00e9e d’\u00e9viter l’\u00e9cueil de la r\u00e9p\u00e9tition, de la standardisation, bref, de l’ennui. Les allemands d’Ahab, experts en navigation et \u00e9quip\u00e9s de leur meilleure boussole ont su habilement \u00e9viter cette regrettable trajectoire, gr\u00e2ce \u00e0 un savoir faire original. Vouant une v\u00e9ritable fascination pour l’univers marin, \u00e0 tel point que le groupe se d\u00e9finit comme pratiquant de \u00ab\u00a0nautik doom\u00a0\u00bb, Ahab nous propose depuis ses d\u00e9buts des concepts albums bas\u00e9s sur des r\u00e9cits de ce genre. Melville et son Moby Dick \u00e9videmment, Edgar Poe sur The Giant<\/i>, et William Hope Hodgson pour ce nouveau The Boats Of The Glen Carrig<\/i>, dont le titre est enti\u00e8rement tir\u00e9 d’un texte de l’auteur. Ce roman d’horreur fantastique nous relate les p\u00e9r\u00e9grinations d’un groupe de naufrag\u00e9s devant faire face \u00e0 diverses monstruosit\u00e9s oc\u00e9aniques et calvaires marins, du genre pieuvre g\u00e9ante tapie dans l’ombre qui ne se contentera pas d’un petit jet d’encre si on vient l’emmerder. C’est install\u00e9 dans cette ambiance sympathique et fanfaronne que l’on se lance dans l’\u00e9coute du dernier Ahab.<\/p>\n

Avec The Giant<\/i> sorti en 2012, le groupe avait rompu avec son funeral doom d’origine en ajoutant de nombreux passages purement atmosph\u00e9riques et en att\u00e9nuant l’envergure massive des riffs, ce qui avait h\u00e9riss\u00e9 le poil des premiers fans doomsters. Pourtant, le groupe avait insuffl\u00e9 une vraie bouff\u00e9e d’air frais \u00e0 sa musique. L’inqui\u00e9tante cr\u00e9ature sous-marine vivant jusqu’ici dans les eaux profondes est alors devenue amphibienne, et s’est mise \u00e0 remonter de temps en temps \u00e0 la surface pour pouvoir a\u00e9rer son doom pachydermique, le sauvant de la noyade dans les eaux de la lassitude. C’est donc un Ahab plus m\u00e9lodique, moins monotone mais aussi moins lourd que l’on avait eu le plaisir de d\u00e9couvrir sur cet album, qui nous avait mis l’eau \u00e0 la bouche – notez la parfaite ad\u00e9quation de l’expression – pour la suite des \u00e9v\u00e9nements.<\/p>\n

D\u00e8s l’\u00e9coute du titre inaugural, \u00ab\u00a0The Isle\u00a0\u00bb, on comprend rapidement que l’album se situe dans la pure continuit\u00e9 de son pr\u00e9d\u00e9cesseur. Pas de retour aux origines avec un doom lourd et pesant, mais une volont\u00e9 de poursuivre la voie entrouverte sur\u00a0 The Giant<\/i>. On retrouve donc la m\u00eame formule gagnante, faite de succession d’ambiances planantes survol\u00e9es par un chant clair, \u00e0 un growling pos\u00e9 d’\u00e9pais riffs balan\u00e7ant du steak (de thon). En somme, nous soufflera Lucas \u00e9l\u00e8ve en classe de CM1, la parfaite m\u00e9taphore du calme olympien des eaux et de la temp\u00eate. Le morceau suivant intitul\u00e9 \u00ab\u00a0The Thing That Made Search\u00a0\u00bb nous fait languir plus de trois minutes sur le m\u00eame sch\u00e9ma que pr\u00e9c\u00e9demment, avant de d\u00e9coller et de nous offrir un riff sinc\u00e8rement jouissif port\u00e9 par un chant guttural en pleine forme. Force est de constater qu’Ahab excelle dans ses moments de d\u00e9chainement mais semble peiner un peu plus lorsqu’il s’agit de planter un d\u00e9cor onirique et r\u00eaveur. Ces passages atmosph\u00e9riques construits autour de quelques arp\u00e8ges farcis de reverb et de delay \u00e0 en exploser, souffrent parfois d’une simplicit\u00e9 excessive et d’un son bien trop mielleux, \u00e0 la limite du niais. C’est frustrant, d’autant plus que l’on sait que le groupe est capable de bien mieux, et qu’il pourrait nous offrir un bien plus beau voyage. Surtout avec la somptueuse voix claire de Daniel, si reposante. \u00ab\u00a0Red Foam (The Great Storm)\u00a0\u00bb, comme son nom l’indique, est l\u00e0 pour nous secouer et c’est les bras grands ouverts que nous l’accueillons. Sur ce morceau le plus rapide et le plus court jamais compos\u00e9 par le groupe, on se laisse volontiers tabasser par les m\u00e9chantes vagues aux lames ac\u00e9r\u00e9es. Ahab tente ici une petite incursion doom sludge que l’on commen\u00e7ait d\u00e9j\u00e0 \u00e0 fleurer sur The Giant<\/i>, et c’est loin de d\u00e9plaire.<\/p>\n

Passant d’un extr\u00eame \u00e0 l’autre avec joie, \u00ab\u00a0The Weedmen\u00a0\u00bb est le morceau le plus lent et long du groupe. On s’approche du Ahab des d\u00e9buts, o\u00f9 le tempo sous Lexomyl, la r\u00e9sonance titanesque des guitares et une basse \u00e0 faire trembler le plancher oc\u00e9anique esquissent une parfaite ambiance de fin du monde. Dans cette mer de d\u00e9sespoir, de petites accalmies viennent nous trouver de mani\u00e8re inattendue. Un lointain larsen, un accord \u00e9tincelant, une batterie assagie qui retient ses coups… Ces petits passages sonnent juste et ne d\u00e9notent pas pour autant avec l’ensemble, contrairement aux moments durant lesquels le groupe s’essaie et se vautre dans un exc\u00e8s de sentimentalisme o\u00f9 le charme op\u00e8re difficilement. Le dernier titre, \u00ab\u00a0To Mourn Job\u00a0\u00bb, nous le prouve encore une fois. Le groupe devrait faire preuve de plus de retenue ou de finesse quand il s’agit de calmer le jeu, au risque de devenir grossier et d’abimer la coh\u00e9rence \u00e0 son \u0153uvre. Ce morceau nous permet en tout cas d’appr\u00e9cier la petite barbichette de Kerry King que l’on aper\u00e7oit discr\u00e8tement pointer derri\u00e8re le cabestan. Le groupe est d\u00e9finitivement dou\u00e9 pour chiner le bon riff.<\/p>\n

\u00c9couter un disque d’Ahab reste une exp\u00e9rience sensorielle particuli\u00e8re. L’approche de la composition par la litt\u00e9rature alt\u00e8re la musique, elle la charge d’\u00e9motions, d’images, de bruits, d’odeur. Ahab utilise les mots des livres pour assoir une ambiance tr\u00e8s prenante et faire voyager le plus loin possible. C’est ce qui fait la force majeure de ce groupe et qui rend son \u00e9coute toujours\u00a0 riche en \u00e9motion. The Boats Of Glen Carrig<\/i> ne pr\u00e9sente aucune prise de risque particuli\u00e8re par rapport \u00e0 son ain\u00e9e, et poss\u00e8de m\u00eame quelques imperfections pouvant parfois lasser l’auditeur. Mais il n’\u00e9chappe pas pour autant \u00e0 la r\u00e8gle\u00a0: quiconque mettra la main sur ce disque sera fatalement projet\u00e9 au royaume de Pos\u00e9idon. Et rendre visite aux Dieux, \u00e7a ne se refuse pas.<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec un genre aussi codifi\u00e9 que celui du funeral doom, il n’est pas chose ais\u00e9e d’\u00e9viter l’\u00e9cueil de la r\u00e9p\u00e9tition, de la standardisation, bref, de l’ennui. Les allemands d’Ahab, experts en navigation et \u00e9quip\u00e9s de leur meilleure boussole ont su habilement \u00e9viter cette regrettable trajectoire, gr\u00e2ce \u00e0 un savoir faire original. Vouant une v\u00e9ritable fascination […]<\/p>\n","protected":false},"author":7,"featured_media":22861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[625,2358,1667],"tags":[5,20,368],"class_list":["post-22860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-625","category-cain","category-disques","tag-5","tag-ahab","tag-napalm-records"],"yoast_head":"\nAhab - The Boats of The Glen Carrig - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/ahab-the-boats-of-the-glen-carrig.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ahab - The Boats of The Glen Carrig - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Avec un genre aussi codifi\u00e9 que celui du funeral doom, il n’est pas chose ais\u00e9e d’\u00e9viter l’\u00e9cueil de la r\u00e9p\u00e9tition, de la standardisation, bref, de l’ennui. 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