{"id":23032,"date":"2015-11-08T11:08:56","date_gmt":"2015-11-08T10:08:56","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=23032"},"modified":"2015-11-08T11:08:56","modified_gmt":"2015-11-08T10:08:56","slug":"sunder-sunder","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/sunder-sunder.html","title":{"rendered":"Sunder – Sunder"},"content":{"rendered":"

\"sunder-205x205\"<\/a><\/p>\n

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Quelques notes de claviers histoire de nous faire passer de l’autre c\u00f4t\u00e9.<\/p>\n

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Du mur, de la barri\u00e8re, des ann\u00e9es, peu importe. Le fait de plonger \u00e0 la mani\u00e8re d’un g\u00e9n\u00e9rique de s\u00e9rie Z, dans ce nouvel univers, permet \u00e0 Sunder de s’affranchir (un peu) de sa jeune et tourment\u00e9e histoire. R\u00e9v\u00e9l\u00e9 sous le nom de The Socks voil\u00e0 un peu moins de 2 ans, sign\u00e9 chez Small Stone et coupable d’un album \u00e9ponyme plac\u00e9 sous le signe des 70s et de Graveyard, le quatuor lyonnais voil\u00e0 un peu plus d’un an, envoie valdinguer ses oripeaux. Bisbille contractuelle\u00a0? Nom simpliste et r\u00e9ducteur pour le march\u00e9 international\u00a0? Difficile d’y voir clair. Toujours est-il qu’apr\u00e8s un barbecue d’instruments en compagnie de Naam lors d’un Up In Smoke, The Socks entame une nouvelle mue. Pour revenir un an plus tard en papillon acide et drap\u00e9 de ce blaze, Sunder, sign\u00e9 chez TeePee Records et Crusher Records. M\u00eames musiciens. M\u00eame savoir-faire. M\u00eame musique\u00a0?<\/p>\n

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Dans cette nouvelle aventure, exit la deuxi\u00e8me guitare et place \u00e0 une batterie de claviers tous plus vintages les uns des autres. Farfisa, Mellotron, ce sont d’ailleurs eux qui ouvrent l’album et nous font plonger dans un bain 60s, r\u00e9v\u00e9lateur photographique faisant appara\u00eetre la nouvelle patte du combo au gr\u00e9 d’une dizaine de titres courts et enlev\u00e9s. On pense forc\u00e9ment aux Beatles \u00e0 l’\u00e9coute des harmonies vocales l\u00e9ch\u00e9es d\u00e9ploy\u00e9es par le quatuor et aux grilles m\u00e9lodiques construisant la structure de l’album. Le fond est un savoir-faire d’\u00e9criture pop, la forme une patine fuzz et garage. A l’image de \u00ab\u00a0Bleeding Trees\u00a0\u00bb insidieux titre, tr\u00e8s bien \u00e9crit et dont la m\u00e9lodie va vous coller au fiacre une bonne partie de la semaine apr\u00e8s \u00e9coute.<\/p>\n

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Cependant, l’urgence qui parcourt le disque, cette volont\u00e9 d’\u00eatre direct laisse peut-\u00eatre des d\u00e9tails sur le c\u00f4t\u00e9. D\u00e9tails qui grandiraient les compos de Sunder. La pr\u00e9cipitation et la frustration. C’est ce qui ressort de l’album. Est-ce la volont\u00e9 de sortir un album rapidement pour asseoir la nouvelle entit\u00e9 dans le paysage, une envie un peu trop d\u00e9bordante\u00a0? Toujours est-il qu’on traverse certains titres sans jamais vraiment s’y arr\u00eater et que d’autres frustrent par leur format court. On voudrait entendre les lyonnais poser plus sereinement leurs id\u00e9es, le chanteur Julien M\u00e9ret entrer dans le micro avec moins de hargne par moment, les claviers prendre un peu plus le pouvoir, la section rythmique avoir plus d’espaces d’expression.<\/p>\n

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Reste que les lyonnais sont des ma\u00eetres en la mati\u00e8re pour trousser riffing et m\u00e9lodie en de petits bijoux de composition. Quand ils arrivent \u00e0 trouver le juste \u00e9quilibre, qu’ils insufflent un peu plus de mid-tempo, qu’ils distillent du doute et de l’angoisse \u00e0 la na\u00efvet\u00e9 pop, on se retrouve avec des titres tels \u00ab\u00a0Daughter of the Snow\u00a0\u00bb ou \u00ab\u00a0Don’t leave it behind\u00a0\u00bb, qui renvoient la concurrence \u00e0 ses \u00e9tudes, laissant le groupe prendre l’ap\u00e9ro en t\u00eate \u00e0 t\u00eate avec son Oncle Acide. On voudrait maintenant que le groupe puisse grandir sereinement dans sa nouvelle formule, ce premier album posant de solides bases et ouvrant le champ \u00e0 plus d’exp\u00e9rimentations. A plus que suivre donc.<\/p>\n","protected":false},"excerpt":{"rendered":"

Quelques notes de claviers histoire de nous faire passer de l’autre c\u00f4t\u00e9. Du mur, de la barri\u00e8re, des ann\u00e9es, peu importe. Le fait de plonger \u00e0 la mani\u00e8re d’un g\u00e9n\u00e9rique de s\u00e9rie Z, dans ce nouvel univers, permet \u00e0 Sunder de s’affranchir (un peu) de sa jeune et tourment\u00e9e histoire. R\u00e9v\u00e9l\u00e9 sous le nom de […]<\/p>\n","protected":false},"author":6,"featured_media":23033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[625,1667,2121],"tags":[5,2741,486,1695],"class_list":["post-23032","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-625","category-disques","category-flaux","tag-5","tag-crusher-records","tag-sunder","tag-tee-pee-records"],"yoast_head":"\nSunder - Sunder - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/sunder-sunder.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sunder - Sunder - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Quelques notes de claviers histoire de nous faire passer de l’autre c\u00f4t\u00e9. Du mur, de la barri\u00e8re, des ann\u00e9es, peu importe. Le fait de plonger \u00e0 la mani\u00e8re d’un g\u00e9n\u00e9rique de s\u00e9rie Z, dans ce nouvel univers, permet \u00e0 Sunder de s’affranchir (un peu) de sa jeune et tourment\u00e9e histoire. 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