{"id":23804,"date":"2016-09-05T18:55:54","date_gmt":"2016-09-05T16:55:54","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=23804"},"modified":"2016-09-05T18:55:54","modified_gmt":"2016-09-05T16:55:54","slug":"castle-welcome-to-the-graveyard","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/castle-welcome-to-the-graveyard.html","title":{"rendered":"Castle \u2013 Welcome To The Graveyard"},"content":{"rendered":"

\"Welcome<\/a><\/p>\n

Nous avions crois\u00e9 ces Etasuniens il y a quelques ann\u00e9es au Desertfest de Berlin et ils nous avaient sacr\u00e9ment foutu la gaule avec leur doom bien trapu \u00e0 l\u2019am\u00e9ricaine. C\u2019\u00e9tait \u00e0 l\u2019\u00e9poque o\u00f9 le groupe commen\u00e7ait \u00e0 radiner sa bobine en dehors des circuits underground et pr\u00e9parait l\u2019arriv\u00e9e de \u00ab\u00a0Under Siege\u00a0\u00bb son dernier long format en date. Peu pr\u00e9sents dans nos contr\u00e9es, peu actifs sur les r\u00e9seaux sociaux et pas pouss\u00e9s par une m\u00e9gastructure de l\u2019industrie phonographique, les Ricains \u00e9taient sortis de nos radars et c\u2019est avec plaisir que nous avons appris au d\u00e9but de l\u2019ann\u00e9e que la fin de la partie silencieuse \u00e9tait siffl\u00e9e.<\/p>\n

Le quatri\u00e8me album de la bande de San Francisco ne surprendra gu\u00e8re les amateurs de ce trio puisqu\u2019il contient les ingr\u00e9dients principaux de la recette qui a fait leur honorable renomm\u00e9e, laquelle leur permet d\u2019afficher plus de deux-cent concerts sur leur CV et d\u2019embarquer cette ann\u00e9e pour une \u00e9norme tourn\u00e9e sur plusieurs continent durant plusieurs mois. S\u2019illustrant dans le sous-genre doom \u00e0 la sauce US en y incorporant les \u00e9l\u00e9ments de base de la fameuse nouvelle vague du rock lourd so British \u00a0(faites p\u00e9ter les vestes \u00e0 patchs), Castle se distingue par une sacr\u00e9e ma\u00eetrise (voire finesse) du riff ainsi que par ses vocaux f\u00e9minins.<\/p>\n

Les huit pistes enregistr\u00e9es par Billy Anderson \u00e0 Portland durant l\u2019hiver (\u00e7a vend du r\u00eave la saison froide dans l\u2019Oregon) ne sont pas encombr\u00e9es d\u2019effets divers et vari\u00e9s\u00a0: elles vont \u00e0 l\u2019essentiel de mani\u00e8re fort pertinente et \u00e9vitent soigneusement de tomber dans le pi\u00e8ge de la redondance ce qui n\u2019\u00e9tait pas gagn\u00e9 d\u2019avance vu le mode d\u2019expression et la limitation de jeu impos\u00e9e par le nombre de protagonistes. Mat se fait plus discret au micro sur ce coup-ci, mais il envoie une sacr\u00e9e d\u00e9bauche de riffs bien inspir\u00e9s\u00a0; \u00ab\u00a0Veil Of Death\u00a0\u00bb pile poil au milieu de l\u2019album en est une bonne illustration. Le m\u00e9tronome Al mart\u00e8le tel la mule en for\u00e7ant parfois le trait comme sur \u00ab\u00a0Black Widow\u00a0\u00bb le morceau rentre-dedans qui sert d\u2019ouverture \u00e0 cet album. Finalement (et ouais on est des misogynes pur sucre par ici) Liz, \u00e0 la basse et au chant, nous propose des plans parfois envo\u00fbtant, \u00ab\u00a0Down in the Cauldron Bog\u00a0\u00bb, ou enrag\u00e9s, \u00ab\u00a0Flash of the Pentagram\u00a0\u00bb, en se rapprochant des grandes hurleuses des ann\u00e9es quatre-vingt comme la regrett\u00e9e Wendy Orlean Williams.<\/p>\n

Une nouvelle plaque qui tient toutes ses promesses et comble nos attentes avec justesse. Esp\u00e9rons qu\u2019elle soit aussi celle de la reconnaissance pour cette formation inspir\u00e9e par le monde occulte qui affronte en 2016 sa septi\u00e8me ann\u00e9e d\u2019existence car des joyaux comme le titre \u00ab\u00a0Welcome to the Graveyard\u00a0\u00bb, empreint d\u2019effluves seventies, ou \u00ab\u00a0Hammer and the Cross\u00a0\u00bb, nettement plus pugnace, \u00e7a ne se trouve pas sous le sabot d\u2019un bouc\u00a0!<\/p>\n","protected":false},"excerpt":{"rendered":"

Nous avions crois\u00e9 ces Etasuniens il y a quelques ann\u00e9es au Desertfest de Berlin et ils nous avaient sacr\u00e9ment foutu la gaule avec leur doom bien trapu \u00e0 l\u2019am\u00e9ricaine. C\u2019\u00e9tait \u00e0 l\u2019\u00e9poque o\u00f9 le groupe commen\u00e7ait \u00e0 radiner sa bobine en dehors des circuits underground et pr\u00e9parait l\u2019arriv\u00e9e de \u00ab\u00a0Under Siege\u00a0\u00bb son dernier long format […]<\/p>\n","protected":false},"author":5,"featured_media":23805,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[626,1682,1667],"tags":[6,797,2927,2928,2929,2930],"class_list":["post-23804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-626","category-chris","category-disques","tag-6","tag-castle","tag-castlesf","tag-heavy-castle","tag-van-records","tag-welcome-to-the-graveyard"],"yoast_head":"\nCastle \u2013 Welcome To The Graveyard - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/castle-welcome-to-the-graveyard.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Castle \u2013 Welcome To The Graveyard - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Nous avions crois\u00e9 ces Etasuniens il y a quelques ann\u00e9es au Desertfest de Berlin et ils nous avaient sacr\u00e9ment foutu la gaule avec leur doom bien trapu \u00e0 l\u2019am\u00e9ricaine. 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