{"id":26135,"date":"2017-07-23T18:58:55","date_gmt":"2017-07-23T16:58:55","guid":{"rendered":"http:\/\/desert-rock.com\/dr\/chrocd\/?p=26135"},"modified":"2017-07-23T18:58:55","modified_gmt":"2017-07-23T16:58:55","slug":"the-midnight-ghost-train-cypress-ave","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/the-midnight-ghost-train-cypress-ave.html","title":{"rendered":"The Midnight Ghost Train \u2013 Cypress Ave."},"content":{"rendered":"

\"\"<\/a><\/p>\n

Apr\u00e8s une tr\u00e8s longue p\u00e9riode d\u2019absence sur nos \u00e9crans-radars, TMGT (pour les intimes dont nous pouvons nous targuer d\u2019\u00eatre), la cr\u00e9ature de Steve Moss, fait son comeback avec son deuxi\u00e8me album sur Napalm. S\u2019il s\u2019est fait rare sur les planches depuis les ennuis de sant\u00e9 de son frontman, le trio a passablement communiqu\u00e9 avec ses suiveurs via les r\u00e9seaux. Nul n\u2019ignore donc que le chanteur-guitariste a troqu\u00e9 sa crini\u00e8re et son air underground contre un look de jeune premier, que c\u2019est un nouveau tourneur qui est en charge de les faire se balader dans nos contr\u00e9es et que, l\u2019album termin\u00e9, le bassiste \u2013 Mike \u2013 n\u2019est plus embarqu\u00e9 dans cette aventure. Avec ce genre de signaux, m\u00eame anodins, il \u00e9tait peu probable que nous allions avoir droit \u00e0 une suite logique \u2013 ou une redite – de \u00ab\u00a0Cold Was The Ground\u00a0\u00bb, leur derni\u00e8re production sortie en 2015 qui re\u00e7ut un accueil tr\u00e8s positif.<\/p>\n

On ne va pas se mentir\u00a0: avec cette avenue, les \u00c9tasuniens nous emm\u00e8nent sous d\u2019autres horizons et c\u2019est franchement tr\u00e8s loin d\u2019\u00eatre mauvais. \u00c7a, on s\u2019y attendait quand-m\u00eame la moindre vu l\u2019affection que nous portons \u00e0 cette fine \u00e9quipe et certaines choses demeurent. Parmi celles-ci, on notera avec satisfaction que le sens du groove, les voix burin\u00e9es par les exc\u00e8s desquels elle est revenue, ainsi que les riffs satur\u00e9s lorgnant vers les influences dites sudistes r\u00e9pondent pr\u00e9sent \u00e0 ce rendez-vous pour m\u00e9lomanes avertis.<\/p>\n

Ce qui \u00e9volue avec cette nouvelle pi\u00e8ce, c\u2019est principalement la voie plus m\u00e9lancolique et intimiste que le groupe emprunte avec une l\u00e9g\u00e8ret\u00e9 ainsi qu\u2019une fluidit\u00e9 impressionnantes. Ceux qui, parmi vous, suivent ces Ricains depuis longtemps se rem\u00e9moreront avec d\u00e9lice les pr\u00e9mices de cette production qu\u2019\u00e9taient \u00ab\u00a0Tom\u2019s Trip\u00a0\u00bb sur leur deuxi\u00e8me long format \u00ab\u00a0Buffalo\u00a0\u00bb et plus globalement l\u2019\u00e9tonnante premi\u00e8re trace que le groupe laissa en 2008 avec le fameux court \u00ab\u00a0The Johnny Boy EP \u00bb sorti sur les r\u00e9seaux ind\u00e9pendants. Allez donc vous repasser \u00ab\u00a0Do You Feel\u00a0\u00bb ou \u00ab\u00a0Stranger\u00a0\u00bb vous comprendrez que cette attirance pour le c\u00f4t\u00e9 moins obscur de la force n\u2019est pas en soi une nouveaut\u00e9.<\/p>\n

Forte d\u2019une certaine dose de courage \u2013 ou mue par des ambitions suicidaires c\u2019est selon \u2013 la formation nous propose un disque neuf \u00e0 la fois d\u00e9routant et incroyablement prenant. Impossible de rester insensible \u00e0 ces 51 minutes\u00a0! C\u2019est simple\u00a0: soit vous prenez cette chose, la refoutez ipso facto dans son emballage et la tirez loin, soit vous vous laissez porter par cette longue descente introspective en n\u2019ayant de cesse que de presser sur repeat. Construite de mani\u00e8re \u00e0 ne pas trop d\u00e9stabiliser l\u2019auditeur, cette production nous renvoie aux pr\u00e9mices du rock, lorsque les artistes \u00e9laboraient des prods pour que les m\u00e9lomanes les \u00e9coutent en entier et \u00e0 la suite (\u00e7a fait bizarre hein, bande de sales zappeurs\u00a0!). Nous d\u00e9butons donc avec quatre titres qui puent de dessous les aisselles et nous rappellent direct l\u2019ambiance d\u00e9ploy\u00e9e live par TMGT\u00a0: l\u2019incroyable \u00ab\u00a0Tonight\u00a0\u00bb et son groove implacable, \u00ab\u00a0Red Eyed Junkie Queen\u00a0\u00bb qui fait l\u2019objet de la premi\u00e8re vid\u00e9o sortie pour cet album ainsi que \u00ab\u00a0Glenn’s Promise\u00a0\u00bb et \u00ab\u00a0Bury Me Deep\u00a0\u00bb qui sont des poutreries programm\u00e9es en live. S\u2019en suit une transition aux faux airs de champs de fraises pour toujours\u00a0intitul\u00e9e \u00a0\u00ab\u00a0The Watchers Nest\u00a0\u00bb qui nous propose carr\u00e9ment un subtil m\u00e9lange d\u2019\u00e9motions burn\u00e9es et d\u2019ingr\u00e9dients propices au pelotage dans un cinoche drive-in.<\/p>\n

Si nous avions pu \u00eatre d\u00e9concert\u00e9s par l\u2019attirance du groupe pour cette grande dame qu\u2019est Nina Simone, nous ne le sommes plus d\u00e9sormais en se passant le blues intimiste \u00ab\u00a0Break My Love\u00a0\u00bb qui entame la deuxi\u00e8me partie du disque. C\u2019est acoustique et grailleux \u00e0 la fois, \u00e7a sent le feu de camp, les haricots rouges et les topettes de Jack (voire la bi\u00e8re chaude) qui passent de mains-en-mains. C\u2019est du blues originel et \u00e7a ne va pas plaire aux sectaires de la communaut\u00e9 stoner, mais putain que c\u2019est bien foutu\u00a0! Toujours dans cette phase de la production, \u00ab\u00a0Lemon Trees\u00a0\u00bb fait office de pont apais\u00e9 avant un v\u00e9ritable ovni, mais cette esp\u00e8ce de balade molle du genou m\u00e9rite tout de m\u00eame de s\u2019y attarder car sa puissante attaque finale renvoie au meilleur de ce que la bande de Steve nous livre depuis sa cr\u00e9ation. \u00c7a passe ou \u00e7a casse avec \u00ab\u00a0The Boogie down\u00a0\u00bb qui voit d\u00e9barquer Sonny Cheeba au micro ainsi que tout un tintamarre dispens\u00e9 par une section cuivre\u00a0; je n\u2019accroche pas et pr\u00e9f\u00e8re exercer une pression l\u00e9g\u00e8re sur skip afin d\u2019attaquer le trio final.<\/p>\n

Au sommaire de cette arriv\u00e9e en douceur\u00a0: trois titres, trois ambiances, trois fois plus de 5 minutes au compteur et trois r\u00e9ussites dans des styles fort diff\u00e9rents. D\u2019abord \u00ab\u00a0Black Wave\u00a0\u00bb qui s\u2019\u00e9gare, avec volupt\u00e9, dans un registre tr\u00e8s proche de l\u2019acoustique o\u00f9 le leader de la formation est presque seul \u00e0 la man\u0153uvre\u00a0; la section rythmique assurant l\u2019indispensable minimum permettant de ne pas se noyer dans une balade acoustique chiante \u00e0 en crever, m\u00eame si j\u2019aurais appr\u00e9ci\u00e9 de voir ce titre se conclure plus rapidement (franchement aucun int\u00e9r\u00eat de l\u2019\u00e9tirer en longueur ainsi). En derni\u00e8re position pour les versions exemptes du titre bonus\u00a0: \u00ab\u00a0The Echo\u00a0\u00bb qui conserve quelques s\u00e9quelles de la tourn\u00e9e de ces gar\u00e7ons avec Greenleaf en proposant un groove mortel qui alterne phases propices au sommeil et grosse d\u00e9monstration de guitare\u00a0; et merde que c\u2019est efficace\u00a0! Tout a une fin, m\u00eame les bonnes choses, et pour \u00ab\u00a0Cypress Ave.\u00a0\u00bb, la fin c\u2019est \u00ab\u00a0I Can’t Let You Go\u00a0\u00bb qui est estampill\u00e9e bonus et qui demeure soft, mais avec ce qu\u2019il faut de couilles pour ne pas \u00eatre mi\u00e8vre\u00a0; une juste combinaison de l\u2019approche calme clairement privil\u00e9gi\u00e9e sur la fin de cette production et de l\u2019approche sc\u00e9nique d\u00e9ploy\u00e9e \u00e0 l\u2019accoutum\u00e9 par The Midnight Ghost Train.<\/p>\n

Alors quoi\u00a0? On ach\u00e8te ou on n\u2019ach\u00e8te pas\u00a0? On ach\u00e8te, mais on n\u2019ach\u00e8te clairement pas un album de stoner\u00a0! On ach\u00e8te une pi\u00e8ce incoh\u00e9rente avec les livraisons du groupe du Kansas, mais incroyablement coh\u00e9rente avec les premiers jalons pos\u00e9s originellement \u00e0 Buffalo dans l\u2019\u00c9tat de New York. On ach\u00e8te la rupture avec la facilit\u00e9 qui aurait \u00e9t\u00e9 de commettre une imb\u00e9cile r\u00e9p\u00e9tition de \u00ab\u00a0Cold Was the Ground\u00a0\u00bb. On ach\u00e8te surtout si on est capable de s\u2019enfiler presqu\u2019une heure de musique qui n\u2019est pas propice \u00e0 se secouer les pellicules sur le col de sa veste \u00e0 patches\u00a0; si tel n\u2019est pas le cas\u00a0: on n\u2019ach\u00e8te pas, on ferme son claque-merde et on garde son pognon pour boire, se droguer ou acheter des plaques au rayon bourrin.<\/p>\n

 <\/p>\n

Point vinyle\u00a0:<\/em><\/strong><\/p>\n

Une belle brochette de d\u00e9clinaisons au programme pour cette en dehors des habituels rondelles argent\u00e9es et versions insaisissables physiquement\u00a0: 100 pi\u00e8ces vinyles dor\u00e9es, 200 exemplaires clairs ainsi que l\u2019usuel noir originel aux saveurs du temps jadis. Remuez vos arri\u00e8re-trains flasques\u00a0: il n\u2019y en aura pas pour tout le monde..<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Apr\u00e8s une tr\u00e8s longue p\u00e9riode d\u2019absence sur nos \u00e9crans-radars, TMGT (pour les intimes dont nous pouvons nous targuer d\u2019\u00eatre), la cr\u00e9ature de Steve Moss, fait son comeback avec son deuxi\u00e8me album sur Napalm. S\u2019il s\u2019est fait rare sur les planches depuis les ennuis de sant\u00e9 de son frontman, le trio a passablement communiqu\u00e9 avec ses […]<\/p>\n","protected":false},"author":5,"featured_media":26136,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[627,1682,1667],"tags":[7,2548,368,502],"class_list":["post-26135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-627","category-chris","category-disques","tag-7","tag-cypress-ave","tag-napalm-records","tag-the-midnight-ghost-train"],"yoast_head":"\nThe Midnight Ghost Train \u2013 Cypress Ave. - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/the-midnight-ghost-train-cypress-ave.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Midnight Ghost Train \u2013 Cypress Ave. - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s une tr\u00e8s longue p\u00e9riode d\u2019absence sur nos \u00e9crans-radars, TMGT (pour les intimes dont nous pouvons nous targuer d\u2019\u00eatre), la cr\u00e9ature de Steve Moss, fait son comeback avec son deuxi\u00e8me album sur Napalm. 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