{"id":28385,"date":"2019-09-24T17:14:42","date_gmt":"2019-09-24T15:14:42","guid":{"rendered":"https:\/\/desert-rock.com\/dr\/chrocd\/?p=28385"},"modified":"2019-09-24T17:14:42","modified_gmt":"2019-09-24T15:14:42","slug":"cain-cain","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/cain-cain.html","title":{"rendered":"Cain – Cain"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Tout le monde conna\u00eet Doom, le groupe, combo de\u2026 death-crust bien crade des ann\u00e9es 80 en Angleterre, qui vivote toujours aujourd\u2019hui \u00e0 l\u2019occasion de quelques concerts plus r\u00e9mun\u00e9rateurs que fondamentalement excitants. Au d\u00e9but des ann\u00e9es 90, deux des membres de Doom (le groupe qui ne fait pas de doom, donc, vous suivez\u00a0?) d\u00e9cident de monter un projet pour\u2026 faire du doom\u00a0! Et du coup ils l\u2019appellent\u2026 Cain\u00a0! (vous les sentez, les g\u00e9nies du marketing aux manettes\u00a0?). Jon Pickering et Pete Nash, donc, s\u2019en vont recruter une paire de potes (eux aussi issus du metal extreme, pas la panac\u00e9e \u00e0 l\u2019\u00e9poque, mais une voie musicale pourvoyeuse de pas mal de glorieux groupes anglais de fin du si\u00e8cle) et se retrouvent autour de quelques pintes et quelques ustensiles \u00e9lectroniques divers (p\u00e9dales d\u2019effets, samplers\u2026) pour bidouiller et exp\u00e9rimenter. Quelques concerts autour de leur charmant patelin (la joyeuse et luxuriante Birmingham) leur permettent de d\u00e9goter un deal vinylique pour un premier album, qui marche pas mal. Malheureusement, le groupe se disperse, et malgr\u00e9 une poign\u00e9e de concerts suppl\u00e9mentaires, se s\u00e9pare\u2026 Et (attention\u00a0: surprise) ils ne se sont jamais reform\u00e9s depuis\u00a0! (avouez-le\u00a0: celle-l\u00e0, vous ne vous y attendiez pas).<\/p>\n

Lee Dorrian, ma\u00eetre-activiste du doom anglais depuis quelques d\u00e9cennies (\u00e0 travers Cathedral ou son honorable label Rise Above) d\u00e9cide en 2019 de mettre ses moyens au service du souvenir perdu de ces trop m\u00e9connues vieilles gloires locales, et propose donc une re-sortie de leur unique album, initialement sorti en 1993 mais jamais r\u00e9\u00e9dit\u00e9, sur un support qualitatif, mais fid\u00e8le \u00e0 la vision du groupe de l\u2019\u00e9poque.<\/p>\n

Et au final, inutile de tergiverser, on a pour partie exactement ce \u00e0 quoi on s\u2019attendait dans la platine\u00a0: un vieux doom sous influences directes des ann\u00e9es 70-80. C\u2019est-\u00e0-dire qu\u2019\u00e0 l\u2019\u00e9poque, les groupes de doom se comptaient sur les doigts de la main\u00a0: Trouble, Candlemass, St Vitus, Pentagram\u2026 Du old school absolu. M\u00eame Pentagram, lanc\u00e9 sur les m\u00eames bases d\u2019influences, n\u2019est encore qu\u2019en phase embryonnaire \u00e0 l\u2019\u00e9poque. Mais plus que tout, l\u2019origine matricielle de tout ce bazar est \u00e0 retrouver derri\u00e8re l\u2019AUTRE groupe de Birmingham, tant l\u2019ombre du ma\u00eetre Iommi se retrouve derri\u00e8re la plupart des riffs de ce disque, et tant le premier album du Sabbath Noir a teint\u00e9 l\u2019ambiance lugubre de ce disque.<\/p>\n

Il faut dire d\u2019ailleurs que l\u2019ambiance est probablement le point fort autant que la pierre angulaire de ce disque\u00a0: tout repose dessus. Le sch\u00e9ma de chaque titre se r\u00e9sume \u00e0 un riff (les riffs y sont d\u2019ailleurs fort bons, en g\u00e9n\u00e9ral) et \u00e0 une quantit\u00e9 d\u2019effets et arrangements divers visant \u00e0 constituer une texture sinistre, froide et glauque autant que possible. Il y a en effet beaucoup de machines sur ce disque\u00a0: des samples, des effets sur les voix (echo a minima), de la reverb sur les grattes, etc\u2026<\/p>\n

Quelques titres viendront directement caresser l\u2019oreille des vrais esth\u00e8tes du bon vieux doom old school, \u00e0 l\u2019image du gracieux \u00ab\u00a0Screams of the Reaper\u00a0\u00bb et son riff en r\u00e9surgence de \u00ab\u00a0Symptom of the Universe\u00a0\u00bb en plus lent, ou bien un \u00ab\u00a0Crucify\u00a0\u00bb qui rappellera les meilleurs riffs de Pentagram ou de Candlemass.<\/p>\n

En revanche, une autre part de ce disque, r\u00e9solument exp\u00e9rimentale, laisse plus circonspect\u00a0: on pense \u00e0 ce \u00ab\u00a0Masters of Death\u00a0\u00bb construit sur un sample gimmick de plus de cinq minutes avec des nappes et samples divers tout du long, ou ce \u00ab\u00a0Lone Wolf\u00a0\u00bb o\u00f9 les hurlements d\u2019un loup entendus loin en fond se voient agr\u00e9ment\u00e9s pendant presque 10 minutes (!!) de d\u00e9lires bruitistes divers et vari\u00e9s, rappelant al\u00e9atoirement une ambiance de for\u00eat nocturne, une usine de sid\u00e9rurgie ou un vieux d\u00e9lire space robotique\u2026<\/p>\n

Et entre les deux, des titres \u00ab\u00a0hybrides\u00a0\u00bb proposent quelques riffs ou portions de structures int\u00e9ressantes, larv\u00e9s de sections noise avant l\u2019heure, pseudo-indus ou space (comme sur \u00a0\u00ab\u00a0Bleeding\u00a0\u00bb ou le lancinant et tr\u00e8s int\u00e9ressant \u00ab\u00a0Ultimate Elevation\u00a0\u00bb).<\/p>\n

La synth\u00e8se de ce d\u00e9luge peu contr\u00f4l\u00e9 de sons et de riffs se retrouve dans l\u2019\u00e9pique \u00ab\u00a0Oberon\u00a0: Desolate One\u00a0\u00bb, premier titre de la galette, qui va titiller le quart d\u2019heure de riffs \u00e9piques, nourris de nappes sonores chelou et d\u2019un chant \u00e9vanescent.<\/p>\n

La ressortie de l\u2019unique album de Cain va donc au-del\u00e0 du simple travail de m\u00e9moire : il s\u2019agit d\u2019une r\u00e9habilitation en bonne et due forme. Car ce groupe aurait pu (d\u00fb ?) avoir une reconnaissance sup\u00e9rieure. Il y avait du talent et de l\u2019inspiration, des influences assum\u00e9es mais un champ tr\u00e8s propice \u00e0 une \u00e9volution qui aurait pu \u00eatre tr\u00e8s excitante : en voyant ce disque comme la matrice un peu brouillonne d\u2019une carri\u00e8re qui n\u2019aura pas eu lieu, on se dit que le potentiel pour une \u00ab nouvelle branche \u00bb du doom \u00e9tait pr\u00e9sent \u00e0 ce moment-l\u00e0. Et si cette hybridation avait eu lieu, qui sait de quoi le paysage du doom actuel aurait l\u2019air ? En tous les cas, l’\u00e9coute du disque nous ram\u00e8ne \u00e0 une \u00e9poque o\u00f9 le doom n’\u00e9tait pas encore un genre aussi codifi\u00e9, o\u00f9 il \u00e9tait plus une question d’\u00e9tat d’esprit et d’ambiance qu’un travail sur le son, la technique ou les rythmiques. Une \u00e9poque que les moins de 30 voire 40 ans ne peuvent pas conna\u00eetre… Rarement voyage dans le temps aura \u00e9t\u00e9 si vivifiant.<\/p>\n","protected":false},"excerpt":{"rendered":"

Tout le monde conna\u00eet Doom, le groupe, combo de\u2026 death-crust bien crade des ann\u00e9es 80 en Angleterre, qui vivote toujours aujourd\u2019hui \u00e0 l\u2019occasion de quelques concerts plus r\u00e9mun\u00e9rateurs que fondamentalement excitants. Au d\u00e9but des ann\u00e9es 90, deux des membres de Doom (le groupe qui ne fait pas de doom, donc, vous suivez\u00a0?) d\u00e9cident de monter […]<\/p>\n","protected":false},"author":4,"featured_media":28386,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[629,1667,1670],"tags":[9,2682,1683],"class_list":["post-28385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-629","category-disques","category-laurent","tag-9","tag-cain","tag-rise-above-records"],"yoast_head":"\nCain - Cain - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/cain-cain.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cain - Cain - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Tout le monde conna\u00eet Doom, le groupe, combo de\u2026 death-crust bien crade des ann\u00e9es 80 en Angleterre, qui vivote toujours aujourd\u2019hui \u00e0 l\u2019occasion de quelques concerts plus r\u00e9mun\u00e9rateurs que fondamentalement excitants. Au d\u00e9but des ann\u00e9es 90, deux des membres de Doom (le groupe qui ne fait pas de doom, donc, vous suivez\u00a0?) d\u00e9cident de monter […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/desert-rock.com\/site\/cain-cain.html\" \/>\n<meta property=\"og:site_name\" content=\"Desert-rock.com\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/desertrockcom\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-24T15:14:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/desert-rock.com\/site\/wp-content\/uploads\/2019\/09\/853691-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Laurent\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Laurent\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html\"},\"author\":{\"name\":\"Laurent\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/#\\\/schema\\\/person\\\/aa78023c9b441176ec5b66e541591373\"},\"headline\":\"Cain – Cain\",\"datePublished\":\"2019-09-24T15:14:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html\"},\"wordCount\":935,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/wp-content\\\/uploads\\\/2019\\\/09\\\/853691-scaled.jpg\",\"keywords\":[\"2019\",\"cain\",\"Rise Above Records\"],\"articleSection\":[\"2019\",\"Disques\",\"Laurent\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html\",\"url\":\"https:\\\/\\\/desert-rock.com\\\/site\\\/cain-cain.html\",\"name\":\"Cain - 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