{"id":28881,"date":"2020-03-23T11:14:44","date_gmt":"2020-03-23T10:14:44","guid":{"rendered":"https:\/\/desert-rock.com\/dr\/chrocd\/?p=28881"},"modified":"2020-03-23T11:14:44","modified_gmt":"2020-03-23T10:14:44","slug":"caskets-open-concrete-realms-of-pain","status":"publish","type":"post","link":"https:\/\/desert-rock.com\/site\/caskets-open-concrete-realms-of-pain.html","title":{"rendered":"Caskets Open – Concrete Realms of Pain"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Caskets Open trace son discret petit chemin depuis plus de douze ans, depuis sa petite ville de Keuruu, perdue en plein milieu de la sauvage Finlande. Concrete Realms of Pain<\/em> est son quatri\u00e8me album, le premier sur le discret mais qualitatif label polonais Nine Records. On avait bien aim\u00e9 les productions pr\u00e9c\u00e9dentes du trio, on s’est donc pench\u00e9 sur ce disque avec int\u00e9r\u00eat. Pass\u00e9 le cap psychologique de la pochette, entre premier degr\u00e9 WTF et second degr\u00e9 glauque, on retrouve le groupe qu’on connaissait, indubitablement. Pour celles et ceux qui n’ont jamais \u00e9cout\u00e9 Caskets Open, la premi\u00e8re \u00e9coute est d\u00e9stabilisante. D\u2019abord parce que le groupe invoque de vieux d\u00e9mons oubli\u00e9s et en particulier, de mani\u00e8re pr\u00e9pond\u00e9rante, des \u00e9chos de Type O Negative, tr\u00e8s vite apparents. Ce son de basse d\u00e8s l\u2019intro de \u00ab Four Shrines \u00bb (ou encore sur \u00ab Pale Hunter \u00bb ou \u00ab Blossom \u00bb) donne des frissons en rappelant le jeu du g\u00e9ant vert. Quelques arrangements, lignes vocales ou autres d\u00e9tails ici ou l\u00e0, mais surtout un travail d\u2019\u00e9criture, qui reprend \u00e0 son compte la lenteur et l\u2019effort m\u00e9lodique propres au groupe de Brooklyn, finissent de nous ramener quelques ann\u00e9es en arri\u00e8re dans la discographie de TON.<\/p>\n

Mais Caskets Open va aussi piocher dans des inspirations plus vari\u00e9es, et notamment dans les branches hardcore old school, et en particulier des racines lointaines du NYxHC, via des accents embl\u00e9matiques de vieux Cro-Mags par exemple (voir la fin de \u00ab Four Shrines \u00bb pour illustrer, ou la violence pure de l\u2019intro du rageur \u00ab Tadens Tolthe \u00bb). Mais ce n\u2019est pas tout, on retrouve aussi des choses plus rapides, avec des plans qui \u00e9voquent par exemple les Misfits, \u00e0 l\u2019image de ce couplet de \u00ab Riding on a Rotting Horse \u00bb (voire m\u00eame de Danzig en solo, \u00e0 l\u2019image du son de \u00ab Tunnel Guard \u00bb, et des lignes vocales ici ou l\u00e0 qui peuvent rappeler les intonations du Evil Elvis). Le tout baigne dans des tonalit\u00e9s sludge et surtout une ambiance doom poisseuse, emport\u00e9e par un amour du tempo lent qui est quand m\u00eame le d\u00e9nominateur commun de la plupart des groupes de doom plus classiques. Caskets Open a beau \u00e9voluer dans ce spectre musical depuis au moins To Serve The Collapse<\/em> (leur second album o\u00f9 ont commenc\u00e9 \u00e0 appara\u00eetre ces rythmes rapides et nerveux), on peut affirmer qu’ils ont atteint une certaine ma\u00eetrise de l’exercice avec ce nouvel album.<\/p>\n

De fait, si l\u2019amoureux des influences sur-cit\u00e9es va in\u00e9vitablement kiffer cette ind\u00e9niable et r\u00e9jouissante reconnaissance musicale, le produit fini s\u2019av\u00e8re, comme on l\u2019imagine, un peu d\u00e9cousu. Certains titres partent un peu dans tous les sens, sans jamais vraiment se trouver, \u00e0 l\u2019image de quelques plages un peu plus faibles, comme \u00ab White Animal \u00bb ou \u00ab Tadens Tolthe \u00bb (ce dernier \u00e9tant un exemple parfait d\u2019un morceau qui comporte quelques tr\u00e8s int\u00e9ressants morceaux de bravoure, mais qui au global ne se retranscrit pas en une identit\u00e9 propre). A l\u2019inverse, certains titres font mouche, en se reposant surtout sur un travail que l\u2019on sent focalis\u00e9 sur la m\u00e9lodie et le riff (comme \u00ab Blossom \u00bb, qui parvient \u00e0 int\u00e9grer sans trop de mal un long break de pur hardcore thrashisant, ou \u00ab Soul Stained Glass \u00bb, un titre bien matur\u00e9).<\/p>\n

Concrete Realms of Pain<\/em> s\u2019av\u00e8re au final \u00eatre un album aussi rafra\u00eechissant qu\u2019il est rugueux musicalement. l’album n’est pas parfait, mais il n\u2019y a aucun vrai rat\u00e9, et \u00e0 chaque fois, le groupe tente des choses et ne se bride pas. Par ailleurs, il convoque des \u00e9chos que finalement on n\u2019entend pas tant dans le doom \u00ab moderne \u00bb, malheureusement, et en particulier l\u2019influence de groupes comme Type O Negative, dont le talent m\u00e9lodique et l\u2019attitude feraient tant de bien \u00e0 une vague doom qui depuis une ou deux d\u00e9cennies se prend un peu trop syst\u00e9matiquement au s\u00e9rieux. Son \u00e9coute est donc tout \u00e0 fait recommandable, \u00e0 plus d\u2019un titre : nostalgie, envie de nouveaut\u00e9 ou a minima d\u2019inspirations un peu \u00ab alternatives \u00bb, car au final il n\u2019y a pas de r\u00e9volution musicale non plus \u00e0 l\u2019horizon\u2026 mais ce d\u00e9cloisonnement, en soi, apporte des perspectives plut\u00f4t enthousiasmantes.<\/p>\n","protected":false},"excerpt":{"rendered":"

Caskets Open trace son discret petit chemin depuis plus de douze ans, depuis sa petite ville de Keuruu, perdue en plein milieu de la sauvage Finlande. Concrete Realms of Pain est son quatri\u00e8me album, le premier sur le discret mais qualitatif label polonais Nine Records. On avait bien aim\u00e9 les productions pr\u00e9c\u00e9dentes du trio, on […]<\/p>\n","protected":false},"author":4,"featured_media":28882,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"categories":[630,1667,1670],"tags":[10],"class_list":["post-28881","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-630","category-disques","category-laurent","tag-10"],"yoast_head":"\nCaskets Open - Concrete Realms of Pain - Desert-rock.com<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/desert-rock.com\/site\/caskets-open-concrete-realms-of-pain.html\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Caskets Open - Concrete Realms of Pain - Desert-rock.com\" \/>\n<meta property=\"og:description\" content=\"Caskets Open trace son discret petit chemin depuis plus de douze ans, depuis sa petite ville de Keuruu, perdue en plein milieu de la sauvage Finlande. 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